|
|||
Kellscraft
Studio Home Page |
Wallpaper
Images for your Computer |
Nekrassoff Informational Pages |
Web
Text-ures© Free Books on-line |
THE YOUNG FOLKS’ LIBRARY SELECTIONS FROM THE CHOICEST LITERATURE OF ALL LANDS THOMAS BAILEY ALDRICH EDITOR-IN-CHIEF EDITORIAL BOARD. HAMILTON WRIGHT MABIE DAVID S. JORDAN CHARLES ELIOT NORTON GEORGE A. HENTY HENRY VAN DYKE WILLIAM P. TRENT JOHN D. LONG JOEL CHANDLER HARRIS ERNEST SETON-THOMPSON LAURA E. RICHARDS MARY HARTWELL CATHERWOOD EDWARD SINGLETON HOLDEN CYRUS TOWNSEND BRADY (CHARLES) KIRK MUNROE JOHN T. TROWBRIDGE FREDERICK W. FARRAR ROSWELL M. FIELD EDWIN ERLE SPARKS EDITH M. THOMAS GEORGE M. GRANT MAUD WILDER GOODWIN NATHAN HASKELL DOLE THOMAS J. SHAHAN JAMES L. HUGHES BARONESS VON BULOW MADAME TH: BENTZON LIEUT.-COL. RICHERT VON KOCH CHARLES WELSH, Managing Editor A LIBRARY OF CHOICE SELECTIONS FROM THE BEST BOOKS FOR YOUNG PEOPLE, INCLUDING FAIRY TALES, LEGENDS, BALLADS AND FOLKLORE, WONDERS OF EARTH, SEA AND SKY, ANIMAL STORIES, ADVENTURES, BRAVE DEEDS, FICTION, FUN, FABLES, SEA TALES, SCHOOL BOY AND SCHOOL GIRL STORIES, NATURAL HISTORY, EXPLORATION, POETRY, BIOGRAPHY, STORY, ETC., ETC. TWENTY VOLUMES RICHLY ILLUSTRATED HALL & LOCKE COMPANY, BOSTON COPYRIGHT, 1901, BY HALL & LOCKE COMPANY. BOSTON, U. S. A. Stanhope Press F. H. GILSON COMPANY BOSTON, U. S. A.
The Young Folks’ Library in 20 Volumes THE CHILD’S OWN BOOK AND TREASURY OF INTERESTING STORIES WITH AN INTRODUCTION BY CHARLES ELIOT NORTON ILLUSTRATED VOLUME I. BOSTON HALL & LOCKE COMPANY PUBLISHERS COPYRIGHT, 1901, BY HALL & LOCKE COMPANY. BOSTON, U. S. A. Stanhope Press F. H. GILSON COMPANY
ON THE INFLUENCE OF
BOOKS THE issue
of the
initial volume of The Young Folks’ Library offers the writer the
opportunity to
make a brief statement of its purpose and scope, and to say a word
touching the
influence of books. The word is not new, but it is apposite here, and
is one
that cannot too often be repeated. Books read
in youth
leave an indelible impression. The mature reader may forget the plot
and
characters of last month’s novel, and by chance the name of its author;
but he
remembers the very page and type of the old copy of “Robinson Crusoe”
and the
tattered cover of “The Arabian Nights” which he read as a boy. The
period of
childhood is the most sensitive and receptive period of life. In those
years
foreign languages are acquired with a facility afterwards lacking, and
the
books read exert directly or indirectly a great influence in molding
thought
and character. They are often incidental factors in determining some
step
affecting all our future. The writer was lately told by one of our
distinguished naval commanders that his career was pointed out to him
by a
chance reading of a biography of Paul Jones. Doubtless many a lad has
been sent
off to sea by the perusal of Captain Marryat’s “Midshipman Easy” or
Fenimore Cooper’s
“Two Admirals.” It was the sonnets of William Bowles that awakened the
poetic
instinct in Coleridge, as in subsequent years it was Spenser’s “Faerie
Queen”
and Chapman’s translation of Homer that cast a spell upon the
imagination of
young Keats. His love of Grecian mythology, out of which grew his
noblest poem,
dated from the hour he opened Chapman’s English version of the Iliad.
In her
“Memoirs “Madame Roland speaks of the singular fascination which
“Plutarch’s
Lives” exercised upon her when she was
little
Jeanne Philpon. “I shall never forget,” she says “the Lent of 1763, at
which
time I was nine years of age when I carried it [“Plutarch”] to church
instead
of my prayer-book. To that period I may trace the impressions and ideas
that
rendered me a republican, though I did not then dream that I should
ever become
a citizen of a Republic.” I fancy that oldtime books have frequently an
unsuspected complicity in coloring even our maturer thoughts and
actions. What
impulses may not occasionally be prompted in us by the perhaps
half-unconscious
reminiscence of some record of daring, or generosity, or self-sacrifice
that
moved our hearts in the days of youth! These
illustrations
of the beneficent influence of books touch only one side of the
subject. If
there is wholesome and stimulating nourishment for young minds, there
is also,
unhappily, a vast quantity of tempting and poisonous food within easy
reach.
Into this category come the lurid juvenile dramas in which a glamour of
romance
is thrown over the adventures of personages who in real life generally
find
their apotheosis in the prisoner’s dock. Books in this kind are widely
circulated and work incalculable harm. Their power of demoralization is
by no
means indirect or disputable. There is
another
class of child-literature only a few degrees less hurtful — the
well-meant
mawkish story (of which “Sandford and Merton” is the perennial type) in
whose
pages a boy is not inspired to be a pirate, but is carefully instructed
how to
become a prig. Personally, I prefer the pirate. In the present
imperfect
condition of society, piracy is beset with difficulties, and the
pirate’s
chances of success, even in the more thickly populated parts of the
United
States, are comparatively limited. That is not the case with the prig.
Circumstances favor his development. “Sandford and Merton” belongs to
an
extensive school of really conscientious fiction which curiously
succeeds in
making goodness seem insufferable. I may observe, in passing, that
Master Harry
Sandford, of England, has a worthy American cousin in one Elsie
Dinsmore, who
sedately pirouettes through a seemingly endless succession of girls’
books. I
came across fifteen of them the other day. This impossible female is
carried
from infancy up to grandmother-hood, and is, I believe, still leisurely
pursuing her way down to the tomb in an ecstatic state of uninterrupted
didacticism. There are twenty-five volumes of her and the
grand-daughter, who
is also named Elsie, and is her grand-mother’s own child, with the same
precocious
readiness to give ethical instruction to her elders. An interesting
instance of
hereditary talent! I think we
are
often only half-mindful of the potency for good or evil that lies in
the book
we place before the young reader. It is not always easy or practicable
to find
proper books; but it is always an important thing. The problem comes
for
solution to every person who has in charge the training and welfare of
youth.
“What shall our children read?” The question is not adequately met by
the local
library. That is a republic of good, bad, and indifferent literature,
the
greater part of which should not be read by anybody. The duty of
selection
remains. In the multiplicity of publications, how is one to pick out
with
certainty such matter as shall be at once entertaining and instructive
— or, at
least, harmlessly entertaining? In order to do it one must have
exceptional
familiarity with many branches of letters. The familiarity involves
conditions
of leisure and study not compatible with the usual affairs of life. In The
Young Folks’
Library very careful hands have garnered a large store of desirable and
valuable reading, designed to answer in a practical way a demand not
otherwhere
complied with in the same measure or in so compact and convenient a
form. The
work presents several features which distinguish it from mere compendia of literature. Each
volume deals
with a distinct department of letters, and has an especial character of
its
own. There is a book for almost every mood and hour — narratives of
adventure
and exploration by land and sea; fairy tales; bird and animal studies;
folk-lore and legend; episodes of boy and girl life at home and at
school;
poetry, biography, history, science, etc., etc. Readers of all ages may
find
their profit and amusement here. An introductory essay and brief
notices of the
various authors represented, with mention of their more notable works,
accompany each volume and serve to lead the reader into wider avenues
of
literature. The riches of many lands have been laid under tribute to
furnish
the contents of these twenty volumes, which may be described as the
epitome of
a vast library embracing numerous books not accessible to the general
public,
particularly to that portion of it remote from great literary centers.
The series
is, in effect, a choice library brought to your hearth-side. It should
be said
in this place that the task of compilation and editing has been
discharged in
no perfunctory spirit by those concerned, but with a sympathetic and
intimate
knowledge of the requirements in the case. |