AUGUST
THE
GRAY DAYS OF BIRDS
THE temptation is great,
if we love flowers, to pass over the seed time, when stalks are dried
and leaves are shrivelled, no matter how beautiful may be the
adaptation for scattering or preserving the seed or how wonderful the
protective coats guarding against cold or wet. Or if insects attract
us by their many varied interests, we are more enthusiastic over the
glories of the full-winged imago than the less conspicuous, though no
less interesting, eggs and chrysalides hidden away in crevices
throughout the long winter.
Thus there seems always a
time when we hesitate to talk or write of our favourite theme,
especially if this be some class of life on the earth, because,
perchance, it is not at its best.
Even birds have their
gray days, when in the autumn the glory of their plumage and song has
diminished. At this time few of their human admirers intrude upon
them and the birds themselves are only too glad to escape
observation. Collectors of skins disdain to ply their trade, as the
ragged, pin-feathery coats of the birds now make sorry-looking
specimens. But we can find something of interest in birddom, even in
this interim.
Nesting is over, say you,
when you start out on your tramps in late summer or early autumn; but
do not be too sure. The gray purse of the oriole has begun to ravel
at the edges and the haircloth cup of the chipping sparrow is already
wind-distorted, but we shall find some housekeeping just began.
The goldfinch is one of
these late nesters. Long after his northern cousins, the pine siskins
and snowflakes, have laid their eggs and reared their young, the
goldfinch begins to focus the aerial loops of his flight about some
selected spot and to collect beakfuls of thistledown. And here,
perhaps, we have his fastidious reason for delaying. Thistles seed
with the goldenrod, and not until this fleecy substance is gray and
floating does he consider that a suitable nesting material is
available.
When the young birds are
fully fledged one would think the goldfinch a polygamist, as we see
him in shining yellow and black, leading his family quintet, all
sombre hued, his patient wife being to our eyes indistinguishable
from the youngsters.
But in the case of most
of the birds the cares of nesting are past, and the woods abound with
full-sized but awkward young birds, blundering through their first
month of insect-hunting and fly-catching, tumbling into the pools
from which they try to drink, and shrieking with the very joy of
life, when it would be far safer for that very life if they remained
quiet.
It is a delightful period
this, a transition as interesting as evanescent. This is the time
when instinct begins to be aided by intelligence, when every hour
accumulates fact upon fact, all helping to co-ordinate action and
desire on the part of the young birds.
No hint of migration has
yet passed over the land, and the quiet of summer still reigns; but
even as we say this a confused chuckling is heard; this rises into a
clatter of harsh voices, and a small flock of blackbirds — two or
three families — pass overhead. The die is cast! No matter how hot
may be the sunshine during succeeding days, or how contented and
thoughtless of the future the birds may appear, there is a something
which has gone, and which can never return until another cycle of
seasons has passed.
During this transition
time some of our friends are hardly recognisable; we may surprise the
scarlet tanager in a plumage which seems more befitting a nonpareil
bunting, — a regular "Joseph's coat." The red of his head
is half replaced with a ring of green, and perhaps a splash of the
latter decorates the middle of his back. When he flies the light
shows through his wings in two long narrow slits, where a pair of
primaries are lacking. It is a wise provision of Nature which
regulates the moulting sequence of his flight feathers, so that only
a pair shall fall out at one time, and the adjoining pair not before
the new feathers are large and strong. A sparrow or oriole hopping
along the ground with angular, half-naked wings would be indeed a
pitiful sight, except to marauding weasels and cats, who would find
meals in abundance on every hand.
Let us take our way to
some pond or lake, thick with duckweed and beloved of wild fowl, and
we shall find a different state of affairs. We surprise a group of
mallard ducks, which rush out from the overhanging bank and dive for
safety among the sheltering green arrowheads. But their outspread
wings are a mockery, the flight feathers showing as a mere fringe of
quill sticks, which beat the water helplessly.
Another thing we notice.
Where are the resplendent drakes? Have they flown elsewhere and left
their mates to endure the dangers of moulting alone? Let us come here
a week later and see what a transformation is taking place. When most
birds moult it is for a period of several months, but these ducks
have a partial fall moult which is of the greatest importance to
them. When the wing feathers begin to loosen in their sockets an
unfailing instinct leads these birds to seek out some secluded pond,
where they patiently await the moult. The sprouting, blood-filled
quills force out the old feathers, and the bird becomes a thing of
the water, to swim and to dive, with no more power of flight than its
pond companions, the turtles.
If, however, the drake
should retain his iridescent head and snowy collar, some sharp-eyed
danger would spy out his helplessness and death would swoop upon him.
So for a time his bright feathers fall out and a quick makeshift
disguise closes over him — the reed-hued browns and grays of his
mate — and for a time the pair are hardly distinguishable. With the
return of his power of flight comes renewed brightness, and the wild
drake emerges from his seclusion on strong-feathered, whistling
wings. All this we should miss, did we not seek him out at this
season; otherwise the few weeks would pass and we should notice no
change from summer to winter plumage, and attribute his temporary
absence to a whim of wandering on distant feeding grounds.
Another glance at our
goldfinch shows a curious sight. Mottled with spots and streaks,
yellow alternating with greenish, he is an anomaly indeed, and in
fact all of our birds which undergo a radical colour change will show
remarkable combinations during the actual process.
It is during the gray
days that the secret to a great problem may be looked for — the why
of migration.
A young duck of the year,
whose wings are at last strong and fit, waves them in ecstasy,
vibrating from side to side and end to end of his natal pond. Then
one day we follow his upward glances to where a thin, black arrow is
throbbing southward, so high in the blue sky that the individual
ducks are merged into a single long thread. The young bird, calling
again and again, spurns the water with feet and wings, finally rising
in a slowly ascending arc. Somewhere, miles to the southward, another
segment approaches — touches — merges.
But what of our smaller
birds? When the gray days begin to chill we may watch them hopping
among the branches all day in their search for insects — a keener
search now that so many of the more delicate flies and bugs have
fallen chilled to the earth. Toward night the birds become more
restless, feed less, wander aimlessly about, but, as we can tell by
their chirps, remain near us until night has settled down. Then the
irresistible maelstrom of migration instinct draws them upward, —
upward, — climbing on fluttering wings, a mile or even higher into
the thin air, and in company with thousands and tens of thousands
they drift southward, sending vague notes down, but themselves
invisible to us, save when now and then a tiny black mote floats
across the face of the moon — an army of feathered mites, passing
from tundra and spruce to bayou and palm.
In the morning, instead
of the half-hearted warble of an insect eater, there sounds in our
ears, like the ring of skates on ice, the metallic, whiplike chirp of
a snowbird, confident of his winter's seed feast.
LIVES
OF THE LANTERN BEARERS
TO all wild creatures
fire is an unknown and hated thing, although it is often so
fascinating to them that they will stand transfixed gazing at its
mysterious light, while a hunter, unnoticed, creeps up behind and
shoots them.
In the depth of the sea,
where the sun is powerless to send a single ray of light and warmth,
there live many strange beings, fish and worms, which, by means of
phosphorescent spots and patches, may light their own way. Of these
strange sea folk we know nothing except from the fragments which are
brought to the surface by the dredge; but over our fields and hedges,
throughout the summer nights, we may see and study most interesting
examples of creatures which produce their own light. Heedless of
whether the moon shines brightly, or whether an overcast sky cloaks
the blackest of nights, the fireflies blaze their sinuous path
through life. These little yellow and black beetles, which illumine
our way like a cloud of tiny meteors, have indeed a wonderful power,
for the light which they produce within their own bodies is a cold
glow, totally different from any fire of human agency.
In some species there
seems to be a most romantic reason for their
brilliance. Down among the grass blades are lowly, wingless creatures
— the female fireflies, which, as twilight falls, leave their
earthen burrows in the turf and, crawling slowly to the summit of
some plant, they display the tiny lanterns which Nature has kindled
within their bodies.
Far overhead shoot the
strong-winged males, searching for their minute insect food, weaving
glowing lines over all the shadowy landscape, and apparently heedless
of all beneath them. Yet when the dim little beacon, hung out with
the hopefulness of instinct upon the grass blade, is seen, all else
is forgotten and the beetle descends to pay court to the poor,
worm-like creature, so unlike him in appearance, but whose little
illumination is her badge of nobility. The gallant suitor is as
devoted as if the object of his affection were clad in all the gay
colours of a butterfly; and he is fortunate if, when he has reached
the signal among the grasses, he does not find a half-dozen firefly
rivals before him.
When insects seek their
mates by day, their characteristic colours or forms may be confused
with surrounding objects; or those which by night are able in that
marvellous way to follow the faintest scent up wind may have
difficulties when cross currents of air are encountered; but the
female firefly, waiting patiently upon her lowly leaf, has unequalled
opportunity for winning her mate, for there is
nothing to compare with or eclipse her flame. Except — I wonder if
ever a firefly has hastened downward toward the strange glow which we
sometimes see in the heart of decayed wood, — mistaking a patch of
fox-fire for the love-light of which he was in search!
In other species,
including the common one about our homes, the lady lightning-bug is
more fortunate in possessing wings and is able to fly abroad like her
mate.
Although this
phosphorescence has been microscopically examined, it is but slightly
understood. We know, however, that it is a wonderful process of
combustion, — by which a bright light is produced without heat,
smoke, or indeed fuel, except that provided by the life processes in
the tiny body of the insect.
So
shines a good deed in a naughty world.
SHAKESPEARE.
A
STARFISH AND A DAISY
DAY after day the forms
of horses, dogs, birds, and other creatures pass before our eyes. We
look at them and call them by the names which we have given them, and
yet — we see them not. That is to say, we say that they have a
head, a tail; they run or fly; they are of one colour beneath,
another above, but beyond these bare meaningless facts most of us
never go.
Let us think of the
meaning of form. Take, for example, a flower — a daisy. Now, if we
could imagine such an impossible thing as that a daisy blossom should
leave its place of growth, creep down the stem and go wandering off
through the grass, soon something would probably happen to its shape.
It would perhaps get in the habit of creeping with some one ray
always in front, and the friction of the grass stems on either side
would soon wear and fray the ends of the side rays, while those
behind might grow longer and longer. If we further suppose that this
strange daisy flower did not like the water, the rays in front might
be of service in warning it to turn aside. When their tips touched
the surface and were wet by the water of some pool, the ambulatory
blossom would draw back and start out in a new direction. Thus a
theoretical head (with the beginnings of the organs of sense), and a
long-drawn-out tail, would have their origin.
Such a remarkable simile
is not as fanciful as it might at first appear; for although we know
of no blossom which so sets at naught the sedentary life of the
vegetable kingdom, yet among certain of the animals which live their
lives beneath the waves of the sea a very similar thing occurs.
Many miles inland, even
on high mountains, we may sometimes see thousands of little joints,
or bead-like forms, imbedded in great rocky cliffs. They have been
given the name of St. Cuthbert's beads. Occasionally in the vicinity
of these fossils — for such they are — are found impressions of a
graceful, flower-like head, with many delicately divided petals,
fixed forever in the hard relief of stone. The name of stone lilies
has been applied to them. The beads were once strung together in the
form of a long stem, and at the top the strangely beautiful
animal-lily nodded its head in the currents of some deep sea, which
in the long ago of the earth's age covered the land — millions of
years before the first man or beast or bird drew breath.
It was for a long time
supposed that these wonderful creatures were extinct, but dredges
have brought up from the dark depths of the sea actual living stone
lilies, or crinoids, this being their real name. Few of us will
probably ever have an opportunity of studying a crinoid alive,
although in our museums we may see them preserved in glass jars.
That, however, detracts nothing from the marvel of their history and
relationship. They send root-like organs deep into the mud, where
they coil about some shell and there cling fast. Then the stem grows
tall and slender, and upon the summit blooms or is developed the
animal-flower. Its nourishment is not drawn from the roots and the
air, as is that of the daisy, but is provided by the tiny creatures
which swim to its tentacles, or are borne thither by the ocean
currents. Some of these crinoids, as if impatient of their plant-like
life and asserting their animal kinship, at last tear themselves free
from their stem and float off, turn over, and thereafter live happily
upon the bottom of the sea, roaming where they will, creeping slowly
along and fulfilling the destiny of our imaginary daisy.
And here a comparison
comes suddenly to mind. How like to a many-rayed starfish is our
creeping crinoid! Few of us, unless we had studies about these
creatures, could distinguish between a crinoid and one of the frisky
little dancing stars, or serpent stars, which are so common in the
rocky eaves along our coast. This relationship is no less real than
apparent. The hard-skinned "five finger," or common
starfish, which we may pick up on any beach, while it never grew upon
a stem, yet still preserves the radial symmetry of its stalked
ancestors. Pick up your starfish, carry it to the nearest field, and
pluck a daisy close to the head. How interesting the comparison
becomes, now that the knowledge of its meaning is plain. Anything
which grows fast upon a single immovable stem tends to grow equally
in all directions. We need not stop here, for we may include sea
anemones and corals, those most marvellously coloured flowers of the
sea, which grow upon a short, thick stalk and send out their
tentacles equally in all directions. And many of the jellyfish which
throb along close beneath the surface swells were in their youth each
a section of a pile of saucer-like individuals, which were fastened
by a single stalk to some shell or piece of coral.
We will remember that it
was suggested that the theoretical daisy would soon alter its shape
after it entered upon active life. This is plainly seen in the
starfish, although at first glance the creature seems as radially
symmetrical as a wheel. But at one side of the body, between two of
the arms, is a tiny perforated plate, serving to strain the water
which enters the body, and thus the circular tendency is broken, and
a beginning made toward right and left handedness. In certain
sea-urchins, which are really starfishes with the gaps between the
arms filled up, the body is elongated, and thus the head and tail
conditions of all animals higher in the scale of life are
represented.
THE
DREAM OF THE YELLOW-THROAT
MANY of us look with
longing to the days of Columbus; we chafe at the thought of no more
continents to discover; no unknown seas to encompass. But at our very
doors is an "undiscovered bourne," from which, while the
traveller invariably returns, yet he will have penetrated but
slightly into its mysteries. This unexplored region is night.
When the dusk settles
down and the creatures of sunlight seek their rest, a new realm of
life awakens into being. The flaring colours and loud bustle of the
day fade and are lost, and in their place come soft, gray tones and
silence. The scarlet tanager seeks some hidden perch and soon from
the same tree slips a silent, ghostly owl; the ruby of the
hummingbird dies out as the gaudy flowers of day close their petals,
and the gray wraiths of sphinx moths appear and sip nectar from the
spectral moonflowers.
With feet shod with
silence, let us creep near a dense tangle of sweetbrier and woodbine
late some summer evening and listen to the sounds of the night-folk.
How few there are that our ears can analyse! We huddle close to the
ground and shut our eyes. Then little by little we open them and set
our senses of sight and hearing at keenest pitch. Even so, how
handicapped are we compared to the wild creatures. A tiny voice
becomes audible, then dies away, — entering for a moment the narrow
range of our coarse hearing, — and finishing its message of
invitation or challenge in vibrations too fine for our ears.
Were we crouched by a
dense yew hedge, bordering an English country lane, a nightingale
might delight us, — a melody of day, softened, adapted, to the
night. If the air about us was heavy with the scent of orange
blossoms of some covert in our own southland, the glorious harmony of
a mocking-bird might surge through the gloom, — assuaging the ear
as do the blossoms another sense.
But sitting still in our
own home tangle let us listen, — listen. Our eyes have slipped the
scales of our listless civilised life and pierce the darkness with
the acuteness of our primeval forefathers; our ears tingle and
strain.
A slender tongue of sound
arises from the bush before us. Again and again it comes, muffled but
increasing in volume. A tiny ball of feathers is perched in the
centre of the tangle, with beak hidden in the deep, soft plumage, but
ever and anon the little body throbs and the song falls gently on the
silence of the night: "I beseech you! I beseech you! I beseech
you!" A Maryland yellow-throat is asleep and singing in its
dreams.
As we look and listen, a
shadowless something hovers overhead, and, looking upward, we see a
gray screech owl silently hanging on beating wings. His sharp ears
have caught the muffled sound; his eyes search out the tangle, but
the yellow-throat is out of reach. The little hunter drifts away into
the blackness, the song ends and the sharp squeak of a mouse startles
us. We rise slowly from our cramped position and quietly leave the
mysteries of the night.
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