JULY
BIRDS
IN A CITY
WE
frequently hear people
say that if only they lived in the country they would take up the
study of birds with great interest, but that a city life prevented
any nature study. To show how untrue this is, I once made a census of
wild birds which were nesting in the New York Zoological Park, which
is situated within the limits of New York City. Part of the Park is
wooded, while much space is given up to the collections of birds and
animals. Throughout the year thousands of people crowd the walks and
penetrate to every portion of the grounds; yet in spite of this lack
of seclusion no fewer than sixty-one species build their nests here
and successfully rear their young. The list was made without shooting
a single bird and in each instance the identification was absolute.
This shows what a little protection will accomplish, while many
places of equal area in the country which are harried by boys and
cats are tenanted by a bare dozen species.
Let
us see what a walk in
late June, or especially in July, will show of these bold invaders of
our very city. Wild wood ducks frequently decoy to the flocks of
pinioned birds and sometimes mate with some of them. One year a wild
bird chose as its mate a little brown
female, a pinioned bird, and refused to desert her even when the
brood of summer ducklings was being caught and pinioned. Such
devotion is rare indeed.
In
the top of one of the
most inaccessible trees in the Park a great rough nest of sticks
shows where a pair of black-crowned night herons have made their home
for years, and from the pale green eggs hatch the most awkward of
nestling herons, which squawk and grow to their prime, on a diet of
small fish. When they are able to fly they pay frequent visits to
their relations in the great flying cage, perching on the top and
gazing with longing eyes at the abundant feasts of fish which are
daily brought by the keepers to their charges. This duck and heron
are the only ones of their orders thus to honour the Park by nesting,
although a number of other species are not uncommon during the season
of migration.
Of
the waders which in
the spring and fall teeter along the bank of the Bronx River, only a
pair or two of spotted sandpipers remain throughout the nesting
period, content to lay their eggs in some retired spot in the corner
of a field, where there is the least danger to them and to the fluffy
balls of long-legged down which later appear and scurry about. The
great horned owl and the red-tailed hawk formerly nested in the park,
but the frequent noise of blasting and the building operations have
driven them to more isolated places, and of their relatives
there remain only the little screech owls and the sparrow hawks. The
latter feed chiefly upon English sparrows and hence are worthy of the
most careful protection.
These
birds should be
encouraged to build near our homes, and if not killed or driven away
sometimes choose the eaves of our houses as their domiciles and thus,
by invading the very haunts of the sparrows, they would speedily
lessen their numbers. A brood of five young hawks was recently taken
from a nest under the eaves of a schoolhouse in this city. I
immediately took this as a text addressed to the pupils, and the
principal was surprised to learn that these birds were so valuable.
In the Park the sparrow hawks nest in a hollow tree, as do the
screech owls.
Other
most valuable birds
which nest in the Park are the black-billed and yellow-billed
cuckoos, whose depredations among the hairy and spiny caterpillars
should arouse our gratitude. For these insects are refused by almost
all other birds, and were it not for these slim, graceful creatures
they would increase to prodigious numbers. Their two or three light
blue eggs are always laid on the frailest of frail platforms made of
a few sticks. The belted kingfisher bores into the bank of the river
and rears his family of six or eight in the dark, ill-odoured chamber
at the end. Young cuckoos and kingfishers are the quaintest of young
birds. Their plumage does not come out a little at a time, as in other
nestlings, but the sheaths which surround the growing feathers remain
until they are an inch or more in length; then one day, in the space
of only an hour or so, the overlapping armour of bluish tiles bursts
and the plumage assumes a normal appearance.
The
little
black-and-white downy and the flicker are the two woodpeckers which
make the Park their home. Both nest in hollows bored out by their
strong beaks, but although full of splinters and sawdust, such a
habitation is far superior to the sooty chimneys in which the young
chimney swifts break from their snow-white eggs and twitter for food.
How impatiently they must look up at the blue sky, and one would
think that they must long for the time when they can spread their
sickle-shaped wings and dash . about from dawn to dark! Is it not
wonderful that one of them should live to grow up when we think of
the fragile little cup which is their home? a mosaics of delicate
twigs held together only by the sticky saliva of the parent birds.
A
relation of theirs
though we should never guess it is sitting upon her tiny air castle
high up in an apple tree not far away, a ruby-throated
hummingbird. If we take a peep into the nest when the young
hummingbirds are only partly grown, we shall see that their bills are
broad and stubby, like those of the swifts. Their home, however, is
indeed a different affair, a pinch of plant-down tied
together
with cobwebs and stuccoed with lichens, like those which are growing
all about upon the tree. If we do not watch the female when she
settles to her young or eggs we may search in vain for this tiniest
of homes, so closely does it resemble an ordinary knot on a branch.
The
flycatchers are well
represented in the Park, there being no fewer than five species; the
least flycatcher, wood pewee, phoebe, crested flycatcher, and
kingbird. The first two prefer the woods, the phoebe generally
selects a mossy rock or a bridge beam, the fourth nests in a hollow
tree and often decorates its home with a snake-skin. The kingbird
builds an untidy nest in an apple tree. Our American crow is, of
course, a member of this little community of birds, and that in spite
of persecution, for in the spring one or two are apt to contract a
taste for young ducklings and hence have to be put out of the way.
The fish crow, a smaller cousin of the big black fellow, also nests
here, easily known by his shriller, higher caw. A single pair of blue
jays nest in the Park, but the English starling occupies' every box
which is put up and bids fair to be as great or a greater nuisance
than the sparrow. It is a handsome bird and a fine whistler, but when
we remember how this foreigner is slowly but surely elbowing our
native birds out of their rightful haunts, we find ourselves losing
sight of its beauties. The cowbird, of course, imposes her eggs upon
many of the smaller species of birds, while our beautiful purple
grackle, meadow lark, red-winged blackbird, and the Baltimore and
orchard orioles rear their young in safety. The cardinal, scarlet
tanager, indigo bunting, and rose-breasted grosbeak form a quartet of
which even a tropical land might well be proud, and the two latter
species have, in addition to brilliant plumage, very pleasing songs.
Such wealth of esthetic characteristics are unusual in any one
species, the wide-spread law of compensation decreeing otherwise.
More sombre hued seed-eaters which live their lives in the Park are
towhees, swamp, song, field, and chipping sparrows. The bank and barn
swallows skim over field and pond all through the summer, gleaning
their insect harvest from the air, and building their nests in the
places from which they have taken their names. The rare rough-winged
swallow deigns to linger and nest in the Park as well as do his more
common brethren.
The
dainty penile nests
which become visible when the leaves fall in the autumn are swung by
four species of vireos, the white-eyed, red-eyed, warbling, and
yellow-throated. Of the interesting and typically North American
family of wood warblers I have numbered no fewer than eight which
nest in the Park; these are the redstart, the yellow-breasted chat,
northern yellow-throat, oven-bird, the yellow warbler, blue-winged,
black-and-white creeping warblers, and one other to be mentioned
later.
Injurious
insects find
their doom when the young house and Carolina wrens are on the wing.
Catbirds and robins are among the most abundant breeders, while
chickadees and white-breasted nuthatches are less often seen. The
bluebird haunts the hollow apple trees, and of the thrushes proper
the veery or Wilson's and the splendid wood thrush sing to their
mates on the nests among the saplings.
The
rarest of all the
birds which I have found nesting in the Park is a little yellow and
green warbler, with a black throat and sides of the face, known as
the Lawrence warbler. Only a few of his kind have ever been seen, and
strange to say his mate was none other than a demure blue-winged
warbler. His nest was on the ground and from it six young birds flew
to safety. and not to museum drawers.
NIGHT
MUSIC OF THE SWAMP
TO
many, a swamp or marsh
brings only the very practical thought of whether it can be readily
drained. Let us rejoice, however, that many marshes cannot be thus
easily wiped out of existence, and hence they remain as isolated bits
of primeval wilderness, hedged about by farms and furrows. The water
is the life-blood of the marsh, drain it, and reed and rush, bird
and batrachian, perish or disappear. The marsh, to him who enters it
in a receptive mood, holds, besides mosquitoes and stagnation,
melody, the mystery of unknown waters, and the sweetness of Nature
undisturbed by man.
The
ideal marsh is as far
as one can go from civilisation. The depths of a wood holds its
undiscovered secrets; the mysterious call of the veery lends a
wildness that even to-day has not ceased to pervade the old wood.
There are spots overgrown with fern and carpeted with velvety wet
moss; here also the skunk cabbage and cowslip grow rank among the
alders. Surely man cannot live near this place but the tinkle of
a cowbell comes faintly on the gentle stirring breeze and our
illusion is dispelled, the charm is broken.
But
even to-day, when we
push the punt through the reeds from the clear river into the narrow,
tortuous channel of the marsh, we have left civilisation behind us.
The great ranks of the cattails shut out all view of the outside
world; the distant sounds of civilisation serve only to accentuate
the isolation. It is the land of the Indian, as it was before the
strange white man, brought from afar in great white-sailed ships,
came to usurp the land of the wondering natives. At any moment we
fancy that we may see an Indian canoe silently round a bend in the
channel.
The
marsh has remained
unchanged since the days when the Mohican Indians speared fish there.
We are living in a bygone time. A little green heron flies across the
water. How wild he is; nothing has tamed him. He also is the same now
as always. He does not nest in orchard or meadow, but holds himself
aloof, making no concessions to man and the ever increasing spread of
his civilisation. He does not come to his doors for food. He can find
food for himself and in abundance; he asks only to be let alone. Nor
does he intrude himself. Occasionally we meet him along our little
meadow stream, but he makes no advances. As we come suddenly upon
him, how indignant he seems at being disturbed in his hunting. Like
the Indian, he is jealous of his ancient domain and resents
intrusion. He retires, however, throwing back to us a cry of disdain.
Here in the marsh is the last stand of primitive nature in the
settled country; here is the last stronghold of the untamed. The
bulrushes rise in ranks, like the spears of a great army, surrounding
and guarding the colony of the marsh.
There
seems to be a
kinship between the voices of the marsh dwellers. Most of them seem
to have a muddy, aquatic note. The boom of the frog sounds like some
great stone dropped into the water; the little marsh wren's song is
the "babble and tinkle of water running out of a silver flask."
The
blackbird seems to be
the one connecting link between the highlands and the lowlands.
Seldom does one see other citizens of the marsh in the upland. How
glorious is the flight of a great blue heron from one feeding-ground
to another! He does not tarry over the foreign territory, nor does he
hurry. With neck and head furled close and legs straight out behind,
he pursues his course, swerving neither to the right nor the left.
"Vainly
the fowler's
eye
Might
mark thy distant
flight to do thee wrong,
As
darkly painted on the
crimson sky
Thy
figure floats along."
The
blackbirds, however,
are more neighbourly. They even forage in the foreign territory,
returning at night to sleep.
In
nesting time the
red-wing is indeed a citizen of the lowland. His voice is as
distinctive of the marsh as is the croak of the frog, and from a
distance it is one of the first sounds to greet the ear. How
beautiful is his clear whistle with its liquid break! Indeed one may
say that he is the most conspicuous singer of the marshlands. His is
not a sustained song, but the exuberant expression of a happy heart.
According
to many writers
the little marsh wren is without song. No song! As well say that the
farmer boy's whistling as he follows the plough, or the sailor's song
as he hoists the sail, is not music! All are the songs of the lowly,
the melody of those glad to be alive and out in the free air.
When
man goes into the
marsh, the marsh retires within itself, as a turtle retreats within
his shell. With the exception of a few blackbirds and marsh wrens,
babbling away the nest secret, and an occasional frog's croak, all
the inhabitants have stealthily retired. The spotted turtle has slid
from the decayed log as the boat pushed through the reeds. At our
approach the heron has flown and the little Virginia rail has
scuttled away among the reeds.
Remain
perfectly quiet,
however, and give the marsh time to regain its composure. One by one
the tenants of the swamp will take up the trend of their business
where it was interrupted.
All
about, the frogs rest
on the green carpet of the lily pads, basking in the sun. The little
rail again runs among the reeds, searching for food in the form of
small snails. The blackbirds and wrens, most domestic in character,
go busily about their home business; the turtles again come up to
their positions, and a muskrat swims across the channel. One hopes
that the little colony of marsh wren homes on stilts above the water,
like the ancient lake dwellers of Tenochtitlan, may have no enemies.
But the habit of building dummy nests is suggestive that the wee
birds are pitting their wits against the cunning of some enemy,
and suspicion rests upon the serpent.
As
evening approaches and
the shadows from the bordering wood point long fingers across the
marsh, the blackbirds straggle back from their feeding-grounds and
settle, clattering, among the reeds. Their clamour dies gradually
away and night settles down upon the marsh.
All
sounds have ceased
save the booming of the frogs, which but emphasises the loneliness of
it all. A distant whistle of a locomotive dispels the idea that all
the world is wilderness. The firefly lamps glow along the margin of
the rushes. The frogs are now in full chorus, the great bulls beating
their tom-toms and the small fry filling in the chinks with shriller
cries. How remote the scene and how melancholy the chorus!
To
one mind there is a
quality in the frogs' serenade that strikes the chord of sadness, to
another the chord of contentment, to still another it is the chant of
the savage, just as the hoot of an owl or the bark of a fox brings
vividly to mind the wilderness.
Out
of the night comes
softly the croon of a little screech owl that cry almost as
ancient as the hills. It belongs with the soil beneath our towns. It
is the spirit of the past crying to us. So the dirge of the frog is
the cry of the spirit of river and marshland.
Our
robins and bluebirds
are of the orchard and the home of man, but who can claim
neighbourship to the bittern or the bullfrog? There is nothing of
civilisation in the hoarse croak of the great blue heron. These are
all barbarians and their songs are of the untamed wilderness.
The
moon rises over the
hills. The mosquitoes have become savage. The marsh has tolerated us
as long as it cares to, and we beat our retreat. The night hawks
swoop down and boom as they pass overhead. One feels thankful that
the mosquitoes are of some good in furnishing food to so graceful a
bird.
A
water snake glides
across the channel, leaving a silver wake in the moonlight. The frogs
plunk into the water as we push past. A night heron rises from the
margin of the river and slowly flops away. The bittern booms again as
we row down the peaceful river, and we leave the marshland to its
ancient and rightful owners.
And
the marsh is meshed
with a million veins,
That
like as with rosy
and silvery essences flow
In
the rose and silver
evening glow.
Farewell,
my lord Sun!
The
creeks overflow; a
thousand rivulets run
'Twist
the roots of the
sod; the blades of the marsh grass stir;
Passeth
a hurrying sound
of wings that westward whirr.
SIDNEY
LANIER.
THE
COMING OF MAN
IF
we betake ourselves to
the heart of the deep- est forests which are still left upon our
northern hills, and compare the bird life which we find there with
that in the woods and fields near . our homes, we shall at once
notice a great difference. Although the coming of mankind with his
axe and plough has driven many birds and animals far away or actually
exterminated them, there are many others which have so thrived under
the new conditions that they are far more numerous than when the
tepees of the red men alone broke the monotony of the forest.
We
might walk all day in
the primitive woods and never see or hear a robin, while in an hour's
stroll about a village we can count scores. Let us observe how some
of these quick-witted feathered beings have taken advantage of the
way in which man is altering the whole face of the land.
A
pioneer comes to a spot
in the virgin forest which pleases him and proceeds at once to cut
down the trees in order to make a clearing. The hermit thrush soothes
his labour with its wonderful song; the pileated woodpecker pounds
its disapproval upon a near-by hollow tree; the deer and wolf take a
last look out through the trees and flee from the spot forever. A
house and barn arise; fields become covered with waving grass and
grain; a neglected patch of burnt forest becomes a tangle of
blackberry and raspberry; an orchard is set out.
When
the migrating birds
return, they are attracted to this new scene. The decaying wood of
fallen trees is a paradise for ants, flies, and beetles; offering to
swallows, creepers, and flycatchers feasts of abundance never dreamed
of in the primitive forests. Straightway, what must have been a cave
swallow becomes a barn swallow; the haunter of rock ledges changes to
an eave swallow; the nest in the niche of the cliff is deserted and
phoebe becomes a bridge-bird; cedarbirds are renamed cherry-birds,
and catbirds and other low-nesting species find the blackberry patch
safer than the sweetbrier vine in the deep woods. The swift leaves
the lightning-struck hollow tree where owl may harry or snake
intrude, for the chimney flue sooty but impregnable.
When
the great herds of
ruminants disappear from the western prairies, the buffalo birds
without hesitation become cowbirds, and when the plough turns up the
never-ending store of grubs and worms the birds lose all fear and
follow at the very heels of the plough-boy: grackles, vesper
sparrows, and larks in the east, and flocks of gulls farther to the
westward.
The
crow surpasses all in
the keen wit which it pits against human invasion and enmity. The
farmer declares war (all unjustly) against these sable natives, but
they jeer at his gun and traps and scarecrows, and thrive on, killing
the noxious insects, devouring the diseased corn-sprouts, doing
great good to the farmer in spite of himself.
The
story of these sudden
adaptations to conditions which the birds could never have foreseen
is a story of great interest and it has been but half told. Climb the
nearest hill or mountain or even a tall tree and look out upon the
face of the country. Keep in mind you are a bird and not a human,
you neither know nor understand anything of the reason for these
strange sights, these bipeds who cover the earth with great
square structures, who scratch the ground for miles, who later gnaw
the vegetation with great shining teeth, and who are only too often
on the look out to bring sudden death if one but show a feather. What
would you do?
THE
SILENT LANGUAGE OF ANIMALS
WHAT
a great difference
there is in brilliancy of colouring between birds and the furry
creatures. How the plumage of a cardinal, or indigo bunting, or
hummingbird glows in the sunlight, and reflects to our eyes the most
intense vermilion or indigo or an iridescence of the whole gamut of
colour. On the other hand, how sombrely clad are the deer, the
rabbits, and the mice; gray and brown and white being the usual hue
of their fur.
This
difference is by no
means accidental, but has for its cause a deep significance,
all-important to the life of the bird or mammal. Scientists have long
known of it, and if we unlock it from its hard sheathing of technical
terms, we shall find it as simple and as easy to understand as it is
interesting. When we once hold the key, it will seem as if scales had
fallen from our eyes, and when we take our walks abroad through the
fields and woods, when we visit a zoological park, or even see the
animals in a circus, we shall feel as though a new world were opened
to us.
No
post offices, or even
addresses, exist for birds and mammals; when the children of the
desert or the jungle are lost, no detective or policeman hastens to
find them, no telephone or telegraph aids in the search. Yet, without
any of these accessories, the wild creatures have marvellous systems
of communication. The five senses (and perhaps a mysterious sixth, at
which we can only guess) are the telephones and the police, the
automatic sentinels and alarms of our wild kindred. Most inferior are
our own abilities in using eyes, nose, and ears, when compared with
the same functions in birds and animals.
Eyes
and noses are
important keys to the bright colours of birds and comparative
sombreness of hairy-coated creatures. Take a dog and an oriole as
good examples of the two extremes. When a dog has lost his master, he
first looks about; then he strains his eyes with the intense look of
a nearsighted person, and after a few moments of this he usually
yelps with disappointment, drops his nose to the ground, and with
unfailing accuracy follows the track of his master. When the
freshness of the trail tells him that he is near its end he again
resorts to his eyes, and is soon near enough to recognise the face he
seeks. A fox when running before a hound may double back, and make a
close reconnaissance near his trail, sometimes passing in full view
without the hound's seeing him or stopping in following out the full
curve of the trail, so completely does the wonderful power of smell
absorb the entire attention of the dog.
Let
us now turn to the
oriole. As we might infer, the nostrils incased in horn render the
sense of smell of but slight account. It is hard to tell how much a
bird can distinguish in this way probably only the odour of food
near at hand. However, when we examine the eye of our bird, we see a
sense organ of a very high order. Bright, intelligent, full-circled,
of great size compared to the bulk of the skull, protected by three
complete eyelids; we realise that this must play an important part in
the life of the bird. There are, of course, many exceptions to such a
generalisation as this. For instance, many species of sparrows are
dull-coloured. We must remember that the voice the calls and
songs of birds is developed to a high degree, and in many
instances renders bright colouring needless in attracting a mate or
in locating a young bird.
As
we have seen, the
sense of smell is very highly developed among four footed animals,
but to make this efficient there must be something for it to act
upon; and in this connection we find some interesting facts of which,
outside of scientific books, little has been written. On the entire
body, birds have only one gland the oil gland above the base of
the tail, which supplies an unctuous dressing for the feathers.
Birds, therefore, have not the power of perspiring, but compensate
for this by very rapid breathing. On the contrary, four-footed
animals have glands on many portions of the body. Nature is seldom
contented with the one primary function which an organ or tissue
performs, but adjusts and adapts it to others in many ingenious ways.
Hence, when an animal perspires, the pores of the skin allow the
contained moisture to escape and moisten the surface of the body; but
in addition to this, in many animals, collections of these pores in
the shape of large glands secrete various odours which serve
important uses. In the skunk such a gland is a practically perfect
protection against attacks from his enemies. He never hurries and
seems not to know what fear is a single wave of his conspicuous
danger signal is sufficient to clear his path.
In
certain species of the
rhinoceros there are large glands in the foot. These animals live
among grass and herbage which they brush against as they walk, and
thus "blaze" a plain trail for the mate or young to follow.
There are few if any animals which care to face a rhinoceros, so the
scent is incidentally useful to other creatures as a warning.
It
is believed that the
hard callosities on the legs of horses are the remains of glands
which were once upon a time useful to their owners; and it is said
that if a paring from one of these hard, horny structures be held to
the nose of a horse, he will follow it about, hinting, perhaps, that
in former
days the scent
from the gland was an instinctive guide which kept members of the
herd together.
"Civet,"
which
is obtained from the civet cat, and "musk," from the queer
little hornless musk deer, are secretions of glands. It has been
suggested that the defenceless musk deer escapes many of its enemies
by the similarity of its secretion to the musky odour of crocodiles.
In many animals which live together in herds, such as the antelope
and deer, and which have neither bright colours nor far-reaching
calls to aid straying members to regain the flock, there are large
and active scent glands. The next time you see a live antelope in a
zoological park, or even a stuffed specimen, look closely at the
head, and between the eye and the nostril a large opening will be
seen on each side, which, in the living animal, closes now and then,
a flap of skin shutting it tight.
Among
pigs the fierce
peccary is a very social animal, going in large packs; and on the
back of each of these creatures is found a large gland from which a
clear watery fluid is secreted. Dogs and wolves also have their
odour-secreting glands on the back, and the "wolf-pack" is
proverbial.
The
gland of the elephant
is on the temple, and secretes only when the animal is in a dangerous
mood, a hint, therefore, of opposite significance to that of the
herding animals, as this says, "Let me alone! stay away!"
Certain low species of monkeys, the lemurs, have a remarkable bare
patch on the forearm, which covers a gland serving some use.
If
we marvel at the
keenness of scent among animals, how incredible seems the similar
sense in insects similar in function, however different the
medium of structure may be. Think of the scent from a female moth, so
delicate that we cannot distinguish it, attracting a male of the same
species from a distance of a mile or more. Entomologists sometimes
confine a live female moth or other insect in a small wire cage and
hang it outdoors in the evening, and in a short time reap a harvest
of gay-winged suitors which often come in scores, instinctively
following up the trail of the delicate, diffused odour. It is surely
true that the greatest wonders are not always associated with mere
bulk.
INSECT
MUSIC
AMONG
insects, sounds are
produced in many ways, and for various reasons. A species of ant
which makes its nest on the under side of leaves produces a noise by
striking the leaf with its head in a series of spasmodic taps, and
another ant is also very interesting as regards its sound-producing
habit. "Individuals of this species are sometimes spread over a
surface of two square yards, many out of sight of the others; yet the
tapping is set up at the same moment, continued exactly the same
space of time, and stopped at the same instant. After the lapse of a
few seconds, all recommence simultaneously. The interval is always
approximately of the same duration, and each ant does not beat
synchronously with every other ant, but only like those in the same
group, so the independent tappings play a sort of tune, each group
alike in time, but the tapping of the whole mass beginning and ending
at the same instant. This is doubtless a means of communication."
The
organ of hearing in
insects is still to be discovered in many forms, but in katydids it
is situated on the middle of the fore-legs; in butterflies on the
sides of the thorax, while the tip of the horns or antennζ of many
insects is considered to be the seat of this function. In all it is
little more than a cavity, over which a skin is stretched like a
drum-head, which thus reacts to the vibration. This seems to be very
often "tuned," as it were, to the sounds made by the
particular species in which it is found. A cricket will at times be
unaffected by any sound, however loud, while at the slightest
"screek" or chirp of its own species, no matter how faint,
it will start its own little tune in all excitement.
The
songs of the cicadas
are noted all over the world. Darwin heard them while anchored half a
mile off the South American coast, and a giant species of that
country is said to produce a noise as loud as the whistle of a
locomotive. Only the maces sing, the females being dumb, thus giving
rise to the well-known Grecian couplet:
"Happy
the cicadas'
lives,
For
they all have
voiceless wives."
Anyone
who has entered a
wood where thousands of the seventeen-year cicadas were hatching has
never forgotten it. A threshing machine, or a gigantic frog chorus,
is a fair comparison, and when a branch loaded with these insects is
shaken, the sound rises to a shrill screech or scream. This noise is
supposed in fact is definitely known to attract the female
insect, and although there may be in it some tender notes which we
fail to distinguish, yet let us hope that the absence of any highly
organised auditory organ may result in reducing the effect of a
steam-engine whistle to an agreeable whisper! It is thought that the
vibrations are felt rather than heard, in the sense that we use the
word "hear"; if one has ever had a cicada zizz in one's
hand, the electrical shocks which seem to go up the arm help the
belief in this idea. To many of us the song of the cicada
softened by distance will ever be pleasant on account of its
associations. When one attempts to picture a hot August day in a
hay-field or along a dusty road, the drowsy zee-ing of this insect,
growing louder and more accelerated and then as gradually dying away,
is a focus for the mind's eye, around which the other details
instantly group themselves.
The
apparatus for
producing this sound is one of the most complex in all the animal
kingdom. In brief, it consists of two external doors, capable of
being partly opened, and three internal membranes, to one of which is
attached a vibrating muscle, which, put in motion, sets all the
others vibrating in unison.
We
attach a great deal of
importance to the fact of being educated to the appreciation of the
highest class of music. We applaud our Paderewski, and year after
year are awed and delighted with wonderful operatic music, yet seldom
is the limitation of human perception of musical sounds considered.
If
we wish to appreciate
the limits within which the human ear is capable of distinguishing
sounds, we should sit down in a meadow, some hot midsummer day, and
listen to the subdued running murmur of the myriads of insects. Many
are very distinct to our ears and we have little trouble in tracing
them to their source. Such are crickets and grasshoppers, which
fiddle and rasp their roughened hind legs against their wings. Some
butterflies have the power of making a sharp crackling sound by means
of hooks on the wings. The katydid, so annoying to some in its
persistent ditty, so full of reminiscences to others of us, is a
large, green, fiddling grasshopper.
Another
sound which is
typical of summer is the hum of insects' wings, sometimes, as near a
beehive, rising to a subdued roar. The higher, thinner song of the
mosquito's wings is unfortunately familiar to us, and we must
remember that the varying tone of the hum of each species may be of
the greatest importance to it as a means of recognition. Many beetles
have a projecting horn on the under aide of the body which they can
snap against another projection, and by this means call their
lady-loves, literally "playing the bones" in their minstrel
serenade.
Although
we can readily
distinguish the sounds which these insects produce, yet there are
hundreds of small creatures, and even large ones, which are provided
with organs of hearing, but whose language is too fine for our coarse
perceptions. The vibrations chirps, hums, and clicks can be
recorded on delicate instruments, but, just as there are shades and
colours at both ends of the spectrum which our eyes cannot perceive,
so there are tones running we know not how far beyond the scale
limits which affect our ears. Some creatures utter noises so shrill/
so sharp, that it pains our ears to listen to them, and these are
probably on the borderland of our sound-world.
Pipe,
little minstrels of
the waning year,
In
gentle concert pipe!
Pipe
the warm noons; the
mellow harvest near;
The
apples dropping ripe;
The
sweet sad hush on
Nature's gladness laid;
The
sounds through
silence heard!
Pipe
tenderly the passing
of the year.
HARRIET
McEWEN KIMBALL.
I
love to hear thine
earnest voice,
Wherever
thou art hid,
Thou
testy little
dogmatist,
Thou
pretty Katydid!
Thou
mintiest me of
gentlefolks,
Old
gentlefolks are they,
Thou
say'st an undisputed
thing
In
such a solemn way.
OLIVER WENDELL
HOLMES.
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