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I WAS pacing the Euston
platform late one winter's night, waiting for the last train to
Watford, when I
noticed a man cursing an automatic machine. Twice he shook his fist at
it. I
expected every moment to see him strike it. Naturally curious,
I drew near
softly. I wanted to catch what he was saying. However, he heard my
approaching
footsteps and turned on me.
"Are you the man,"
said he, "who was here just now?"
"Just where?" I
replied. I had been pacing up and down the platform for about five
minutes.
"Why, here, where we
are standing," he snapped out. "Where do you think 'here' is,
– over
there?" He seemed irritable.
"I may have passed this
spot in the course of my peregrinations, if that is what you mean," I
replied. I spoke with studied politeness; my idea was to rebuke his
rudeness.
"I mean," he
answered, "are you the man that spoke to me, just a minute ago?"
"I am not that
man," I said; "goodnight."
"Are you sure?" he
persisted.
"One is not likely to
forget talking to you," I retorted.
His tone had been most
offensive. "I beg your pardon," he replied grudgingly. "I
thought you looked like the man who spoke to me a minute or so ago."
I felt mollified; he was the
only other man on the platform, and I had a quarter of an hour to wait.
"No,
it certainly wasn't me," I returned genially, but
ungrammatically. "why,
did you want him?"
"Yes, I did," he
answered. "I put a penny in the slot here," he continued,
feeling
apparently the need of unburdening himself; "I wanted a box of matches.
I
couldn't get anything out, and I was shaking the machine, and swearing
at it as
one does, when there came along a man about your size, and –
you're sure
it wasn't you?"
"Positive," I
again ungrammatically replied; "I would tell you, if it had
been. What
did he do?"
"Well, he saw what had
happened, or guessed it. He said, 'They are troublesome things, those
machines;
they want understanding.' I said, 'They want taking up and
flinging into the
sea; that's what they want!' I was feeling mad because I hadn't a match
about
me, and I use a lot. He said, 'They stick sometimes; the thing to do is
to put
another penny in; the weight of the first penny is not always
sufficient. The
second penny loosens the drawer and tumbles out itself; so that you get
your
purchase, together with your first penny, back again. I have
often succeeded
that way.' Well, it seemed a silly explanation, but he talked as if he
had been
weaned by an automatic machine, and I was sawney enough to listen to
him. I
dropped in what I thought was another penny. I have just discovered it
was a twoshilling
piece. The fool was right to a certain extent: I have got
something out; I
have got this."
He held it towards me; I
looked at it. It was a packet of Everton toffee.
"Two and a penny,"
he remarked bitterly; "I'll sell it for a third of what it cost me."
"You have put your
money into the wrong machine," I suggested.
"Well, I know
that!" he answered a little crossly, as it seemed to me: he was not a
nice
man; had there been any one else to talk to, I should have left him.
"It
isn't losing the money I mind so much; it's getting this damn thing
that annoys
me. If I could find that idiot, I'd ram it down his throat."
We walked to the end of the
platform, side by side, in silence.
"There are people like
that," he broke out, as we turned, "people who will go about giving
advice. I'll be getting six months over one of them, I'm always afraid.
I
remember a pony I had once." (I judged the man to be a small farmer; he
talked in a wurzelly tone. I don't know if you understand what
I mean, but an
atmosphere of wurzels was the thing that somehow he suggested.) "It was
a thorough-bred
Welsh pony, as sound a little beast as ever stepped. I'd had him out to
grass
all the winter, and one day in the early spring, I thought I'd take him
for a
run. I had to go to Amersham on business. I put him into the cart, and
drove
him across; it is just ten miles from my place. He was a bit uppish,
and had
lathered himself pretty freely by the time we reached the town.
"A man was at the door
of the hotel. He says, 'That's a good pony of yours.'
"'Pretty middling,' I says.
"'It doesn't do to
overdrive 'em when they're young,' he says.
"I says, 'He's done ten
miles, and I've done most of the pulling. I reckon I'm a jolly sight
more
exhausted than he is.'
"I went inside and did
my business, and when I came out the man was still there. 'Going back
up the hill?' he says to me.
"Somehow I didn't cotton
to him from the beginning. 'Well, I've got to get the other side of
it,' I
says; 'and unless you know any patent way of getting over a hill
without going
up it, I reckon I am.'
"He says, 'You take my
advice: give him a pint of old ale before you start.'
"'Old ale,' I says ;
'why, he's a teetotaler.'
"'Never you mind that,'
he answers; 'you give him a pint of old ale. I know these ponies; he's
a good 'un, but he
ain't set. A pint of old ale, and he'll take you up that hill like a
cable
tramway, and not hurt himself.'
"I don't know what it
is about this class of man. One asks oneself afterwards why one didn't
knock
his hat over his eyes and run his head into the nearest horse-trough.
But at
the time one listens to them. I got a pint of old ale in a hand bowl,
and
brought it out. About half-a-dozen chaps were standing round, and of
course
there was a good deal of chaff.
"'You're starting him
on the downward course, Jim,' says one of them. 'He'll take to
gambling, rob a
bank, and murder his mother. That's always the result of a glass of
ale,
'cording to the tracts.'
"'He won't drink it
like that,' says another; 'it's as flat as ditch water. Put a
head on it for
him.'
"'Ain't you got a cigar
for him?' says a third.
"'A cup of coffee and a
round of buttered toast would do him a sight more good, a cold day like
this,'
says a fourth.
"I'd half a mind then to
throw the stuff away, or drink it myself; it seemed a piece of bally
nonsense,
giving good ale to a four-year-old pony; but the moment the
beggar smelt the
bowl he reached out his head, and lapped it up as though he'd been a
Christian;
and I jumped into the cart and started off, amid cheers. We got up the
hill
pretty steady. Then the liquor began to work into his head. I've taken
home a
drunken man more than once; and there's pleasanter jobs than
that. I've seen a
drunken woman, and they're worse. But a drunken Welsh pony I never want
to have
anything more to do with so long as I live. Having four legs, he
managed to
hold himself up; but as to guiding himself, he couldn't; and as for
letting me
do it, he wouldn't. First we were one side of the road, and then we
were the
other. When we were not either side, we were crossways in the middle. I
heard a
bicycle bell behind me, but I dared not turn my head. All I could do
was to
shout to the fellow to keep where he was.
"'I want to pass you,'
he sang out, so soon as he was near enough.
"'Well, you can't do
it,' I called back.
"'Why can't I?' he
answered. 'How much of the road do you want?'
"'All of it, and a bit
over,' I answered him, 'for this job, and nothing in the way.'" He
followed me, for half a mile, abusing me; and every time he thought he
saw a
chance he tried to pass me. But the pony was always a bit too smart for
him.
You might have thought the brute was doing it on purpose.
"'You're not fit to be
driving,' he shouted. He was quite right; I wasn't. I was feeling just
about
dead beat.
"What do you think you
are,' he continued – 'a musical ride?' (He was a
common sort of fellow.) 'Who
sent you home with the washing?'
"Well, he was making me
wild by this time. 'What's the good of talking to me?' I shouted back.
'Come
and blackguard the pony if you want to blackguard anybody. I've got all
I can
do without the help of that alarm clock of yours. Go away; you're only
making
him worse.'
"'what's the matter
with the pony?' he called out.
"'Can't you see?' I
answered.
'He's drunk.'
"Well, of course it
sounded foolish; the truth often does.
"'One of you's drunk,'
he retorted; 'for two pins I'd come and haul you out
of the
cart."
"I wish to goodness he
had! I'd have given something to be out of that cart. But he didn't
have the
chance. At that moment the pony gave a sudden swerve; and I take it he
must
have been a bit too close. I heard a yell and a curse, and at the same instant
I was splashed from head to foot with ditchwater. Then the
brute bolted. A man
was coming along, asleep on the top of a cartload of windsor
chairs. It's
disgraceful the way those waggoners go to sleep; I wonder there are not
more
accidents. I don't think he ever knew what had happened to him. I
couldn't look
round to see what became of him; I only saw him start. Halfway down the
hill a
policeman holla'd to me to stop; I heard him shouting out something
about
furious driving. Half a mile this side of Chesham we came upon a girl's
school
walking two and two, – a 'crocodile,' they call it,
I think. I bet you those
girls are still talking about it. It must have taken the old
woman a good hour
to collect them together again.
"It was market day in
Chesham;
and I guess there has not been a busier marketday in Chesham
before or since:
we went through the town at about thirty miles an hour. I've never seen
Chesham
so lively, it's a sleepy hole as a rule. A mile outside the town I
sighted the
High Wycombe coach. I didn't feel I minded much; I had got to that pass
when it
didn't seem to matter to me what happened; I only felt curious. A dozen
yards
off the coach, the pony stopped dead; that jerked me off the seat to
the bottom
of the cart. I couldn't get up because the seat was on top of me. I
could see
nothing but the sky, and occasionally the head of the pony,
when he stood upon
his hind legs. But I could hear what the driver of the coach said, and
I judged
he was having trouble also.
"'Take that damn circus
out of the road,' he shouted. If he'd had any sense, he'd have seen how
helpless I was. I could hear his cattle plunging about; they are like
that,
horses, – if they see one fool,
then
they all want to be fools.
"'Take it home, and tie
it up to its organ,' shouted the guard.
"Then an old woman went
into hysterics, and began laughing like an hyena. That started
the pony off
again, and, as far as I could calculate by watching the clouds, we did
about
another four miles at the gallop. Then he thought he'd try to jump a
gate, and
finding, I suppose, that the cart hampered him, he started kicking it
to
pieces. I'd never have thought a cart could have been separated into so
many
pieces, if I hadn't seen it done. When he had got rid of everything but
half a
wheel and the splashboard he bolted again. I remained behind
with the other
ruins, and glad I was to get a little rest. He came back later in the
afternoon, and I was pleased to sell him the next week for a five-pound
note:
it cost me about another ten to repair myself.
"To this day, I am
chaffed about that pony, and the local temperance Society made a
lecture out of
me. That's what comes of following advice."
I sympathised with him. I
have suffered from advice myself. I have a friend, a City man, whom I
meet
occasionally. One of his most ardent passions in life is to make my
fortune. He
button-holes me in Thread-needle Street. "The very man I wanted to
see," he says; "I'm going to let you in for a good thing. We are
getting up a little syndicate." He is for ever "getting up" a
little syndicate; and for every hundred pounds you put into it you take
a thousand
out. Had I gone into all his little syndicates, I could have
been worth at the
present moment, I reckon, two million five hundred
thousand pounds. But I
have not gone into all his little syndicates. I went into one years
ago, when I
was younger. I am still in it; my friend is confident that my holding,
later
on, will yield me thousands. Being, however, hard up for ready
money, I am
willing to part with my share to any deserving person at a genuine
reduction,
upon a cash basis. Another friend of mine knows another man who is "in
the
know" as regards racing matters. I suppose most people possess a friend
of
this type. He is generally very popular just before a race, and
extremely
unpopular immediately afterwards. A third benefactor of mine is an
enthusiast
upon the subject of diet. One day he brought me something in a packet,
and
pressed it into my hand with the air of a man who is relieving you of
all your
troubles.
"What is it?" I
asked.
"Open it and see,"
he answered in the tone of a pantomime fairy.
I opened it and looked, but
I was no wiser.
"It's tea," he
explained.
"Oh!" I replied; "I
was wondering if it could be snuff."
"Well, it's not exactly
tea," he continued; "it's a sort of tea, You take one cup of
that,
one cup, and you will never care for any other kind of tea again."
He was quite right. I took
one cup. After drinking it I felt I didn't care for any other tea. I
felt I didn't
care for anything, except to die quietly and inoffensively. He called
on me a
week later.
"You remember that tea
I gave you?" he said.
"Distinctly," I
answered; "I've got the taste of it in my mouth now."
"Did it upset you?"
he asked.
"It annoyed me at the
time," I answered; "but that's all over now."
He seemed thoughtful. "You
were quite correct," he answered ; "it was snuff, a very special
snuff, sent me all the way from India."
"I can't say I liked
it," I replied.
"A stupid mistake of
mine," he went on: "I must have mixed up the packets."
"Oh, accidents will
happen," I said; "and you won't make another mistake, I feel sure, so
far as I am concerned."
We can all give advice. I
had the honour once of serving an old gentleman whose
profession it was to
give legal advice, and excellent legal advice he always gave.
In common with
most men who know the law, he had little respect for it. I have heard
him say
to a would-be litigant: –
"My dear sir, if a
villain stopped me in the street and demanded of me my watch and chain,
I
should refuse to give it to him. If he thereupon said, 'Then I shall
take it
from you by brute force,' I should, old as I am, I feel convinced,
reply to
him, 'Come on.' But if, on the other hand, he were to say to me, 'Very
well,
then I shall take proceedings against you in the Court of
Queen's Bench to
compel you to give it up to me,' I should at once
take it
from my pocket, press it into his hand, and beg of him to say no more
about the
matter. And I should consider I was getting off cheaply."
Yet that same old gentleman
went to law himself with his next-door neighbour over a dead poll
parrot that
wasn't worth sixpence to anybody, and spent from first to last
a hundred
pounds, if he spent a penny. "I know I'm a fool," he confessed. "I
have no positive proof that it was his cat; but I'll make him pay for
calling
me an old Bailey Attorney, damned if I don't."
We all know how the pudding ought
to be made. We do not profess to be able to make it. That is not our
business;
our business is to criticise the cook. It seems our business to
criticise so
many things that it is not our business to do. We are all critics
nowadays. I
have my opinion of you, Reader, and you possibly have your own opinion
of me. I
do not seek to know it; personally, I prefer the man who says what he
has to
say of me behind my back. I remember, when on a lecturing
tour, the ground plan
of the Hall often necessitated my mingling with the audience as they
streamed
out. This never happened but I would overhear somebody in front of me
whisper
to his or her companion: "Take care; he's just behind you." I always
felt so grateful to that whisperer.
At a Bohemian Club, I was
once drinking coffee with a Novelist, who happened to be a
broad-shouldered, athletic
man. A fellow-member, joining us, said to the Novelist, "I have just
finished that last book of yours; I'll tell you my candid opinion of
it."
Promptly replied the Novelist, "I give you fair warning: if you do, I
shall punch your head." We never heard that candid opinion.
Most of our leisure time we
spend sneering at one another. It is a wonder, going about as
we do with our
noses so high in the air, we do not walk off this little round world
into
space, all of us. The Masses sneer at the Classes. The morals of the
Classes
are shocking. If only the Classes would consent as a body to be taught
behaviour
by a Committee of the Masses, how very much better it would be for
them! If
only the Classes would neglect their own interests and devote
themselves to the
welfare of the Masses, the Masses would be more pleased with
them.
The Classes sneer at the
Masses. If only the Masses would follow the advice given them by the
Classes;
if only they would be thrifty on their ten shillings a week: if only
they would
all be teetotalers, or drink old claret, whlch is not intoxicating; if
only all
the girls would be domestic servants on five pounds a year, and not
waste their
money on feathers; if only the men would be content to work
for fourteen hours
a day, and to sing in tune, "God bless the Squire and his relations,"
and would consent to be kept in their propel- stations, – all
things would go swimmingly
– for the Classes.
The New Woman pooh-poohs the
old; the Old Woman is indignant with the New. The Chapel denounces the
Stage;
the Stage ridicules Little Bethel; the Minor Poet sneers at the world;
the
world laughs at the Minor Poet.
Man criticises Woman. We are
not altogether pleased with woman. We discuss her
shortcomings; we advise her
for her good. If only English wives would dress as French wives, talk
as
American wives, cook as German wives, if only women would be precisely
what we
want them to be, patient and hard-working, brilliantly witty and
exhaustively
domestic, bewitching, amenable, and less suspicious,
– how very much better it
would be for them – also for us. We work so hard to teach
them, but they will
not listen. Instead of paying attention to our wise counsel, the
tiresome
creatures are wasting their time criticising us. It is a popular game,
this
game of school. All that is needful is a doorstep, a cane, and six
other
children. The difficulty is the six other children. Every child wants
to be the
schoolmaster; they will keep jumping up, saying it is their turn.
Woman wants to take the
stick now and put man on the doorstep. There are one or two things she
has got
to say to him. He is not at all the man she approves of. He must begin
by getting
rid of all his natural desires and propensities; that done, she will
take him
in hand and make of him, not a man, but something very much superior.
It would be the best of all
possible worlds if everybody would only follow our advice. I wonder,
would
Jerusalem have been the cleanly city it is reported, if, instead of
troubling
himself concerning his own two-penny-half-penny doorstep, each
citizen had
gone out into the road and given eloquent lectures to all the
other
inhabitants on the subject of sanitation.
We have taken to criticising
the Creator Himself of late. The world is wrong; we are wrong. If only
He had
taken our advice during those first six days!
Why do I seem to have been
scooped out and filled up with lead? Why do I hate the smell of bacon
and feel
that nobody cares for me? It is because champagne and lobsters have
been made
wrong.
Why do Edwin and Angelina
quarrel?
It is because Edwin has been given a fine, high-spirited nature that
will not
brook contradiction; while Angelina, poor girl, has been
cursed with
contradictory instincts.
Why is excellent Mr. Jones
brought down next door to beggary? Mr. Jones had an income of a
thousand a
year, secured by the Funds. But there came along a wicked Company
promoter (Why
are wicked Company promoters permitted?) with a prospectus, telling
good Mr.
Jones how to obtain a hundred per cent for his money by investing it in
some
scheme for the swindling of Mr. Jones's fellow-citizens.
The scheme does not succeed;
the people swindled turn out, contrary to the promise of the
prospectus, to be
Mr. Jones and his fellow-investors. Why does Heaven allow these wrongs?
Why does Mrs. Brown leave
her husband and children, to run off with the New Doctor? It
is because an
ill-advised Creator has given Mrs. Brown and the New Doctor unduly
strong
emotions. Neither Mrs. Brown nor the New Doctor are to be blamed. If
any human
being be answerable it is probably Mrs. Brown's grandfather, or some
early
ancestor of the New Doctor's.
We shall criticise Heaven,
when we get there. I doubt if any of us will be pleased with the
arrangements,
we have grown so exceedingly critical.
It was once said of a very
superior young man that he seemed to be under the impression
that God Almighty
had made the universe chiefly to hear what he would say about it.
Consciously
or unconsciously, most of us are of this way of thinking. It is an age
of
mutual improvement societies, – a delightful idea,
everybody's business being
to improve everybody else, – of amateur parliaments,
of literary councils, of
playgoers' clubs.
First Night criticism seems
to have died out of late, the Student of the Drama having come to the
conclusion, possibly, that plays are not worth criticising. But in my
young
days we were very earnest at this work. We went to the play less with
the
selfish desire of enjoying our evening than with the noble aim of
elevating the
Stage. Maybe we did good, maybe we were needed, – let us
think so. Certain it
is, many of the old absurdities have disappeared from the
Theatre, and our
rough-and-ready criticism may have helped the happy despatch. A folly
is often
served by an unwise remedy.
The dramatist in those days
had to reckon with his audience. Gallery and Pit took an interest in
his work
such as Galleries and Pits no longer take. I recollect witnessing the
production of a very blood-curdling melodrama at, I think, the old
Queen's
Theatre. The heroine had been given by the author a quite unnecessary
amount of
conversation, so we considered. The woman, whenever she appeared on the
stage,
talked by the yard; she could not do a simple little thing like cursing
the
Villain under about twenty lines. When the hero asked her if she loved
him she
stood up and made a speech about it that lasted three minutes by the
watch. One
dreaded to see her open her mouth. In the Third Act, somebody got hold
of her
and shut her up in a dungeon. He was not a nice man, speaking
generally, but
we felt he was the man for the situation, and the house cheered him to
the
echo. We flattered ourselves we had got rid of her for the rest of the
evening.
Then some fool of a turnkey came along, and she appealed to him,
through the
grating, to let her out for a few minutes. The turnkey, a good but
soft-hearted
man, hesitated.
"Don't you do it,"
shouted one earnest Student of the Drama, from the gallery; "she's all
right. Keep her there."
The old idiot paid no
attention to our advice; he argued the matter to himself. "'T is but a
trifling request," he remarked; "and it will make her happy."
"Yes, but what about us?"
replied the same voice from the gallery. "You don't know her. You've
only
just come on; we've been listening to her all the evening. She's quiet
now; you
let her be."
"Oh, let me out, if
only for one moment!" shrieked the poor woman. "I have
something
that I must say to my child."
"Write it on a bit of
paper, and pass it out," suggested a voice from the Pit. "'We'll see
that he gets it."
"Shall I keep a mother
from her dying child?" mused the turnkey. "No, it would be
inhuman."
"No, it wouldn't,"
persisted the voice of the Pit; "not in this instance. It's too much
talk
that has made the poor child ill."
The turnkey would not be
guided by us. He opened the cell door amidst the execrations
of the whole
house. She talked to her child for about five minutes, at the end of
which time
he died.
"Ah, he is dead!"
shrieked
the distressed parent.
"Lucky beggar!"
was the unsympathetic rejoinder of the house.
Sometimes the criticism of
the audience would take the form of remarks addressed by one gentleman
to
another. We had been listening one night to a play in which action
seemed to be
unnecessarily subordinated to dialogue, and somewhat poor dialogue at
that.
Suddenly, across the wearying talk from the stage, came the stentorian
whisper:
–
"Jim!"
"Hallo!"
"Wake me up when the
play begins." This was followed by an ostentatious sound as of snoring.
Then the voice of the second speaker was heard: –
"Sammy!"
His friend appeared to
awake.
"Eh? Yes? What's up?
Has anything happened?"
"Wake you up at half-past
eleven in any event, I suppose?"
"Thanks; do,
sonny." And the critic slept again.
Yes, we took an interest in
our plays then. I wonder shall I ever enjoy the British Drama again as
I
enjoyed it in those days?
Shall I ever enjoy a supper
again as I enjoyed the tripe and onions washed down with
bitter beer at the
bar of the old "Albion"? I have tried many suppers after the theatre
since then, and some, when friends have been in generous mood, have
been
expensive and elaborate. The cook may have come from Paris, his
portrait may be
in the illustrated papers, his salary may be reckoned by hundreds; but
there is
something wrong with his art, for all that I miss a flavour in
his suppers.
There is a sauce he has not the secret of.
Nature
has her coinage, and demands payment in her
own currency. At nature's shop it is you yourself must pay. Your
unearned
increment, your inherited fortune, your luck, are not legal tenders
across her
counter.
You want a good appetite.
Nature is quite willing to supply you. "Certainly, sir," she replies,
"I can do you a very excellent article indeed. I have here a
real genuine
hunger and thirst that will make your meal a delight to you. You shall
eat
heartily and with zest, and you shall rise from the table refreshed,
invigorated, and cheerful."
"Just the very thing I
want," exclaims the gourmet,
delightedly. "Tell me the
price."
"The price,"
answers Mrs. Nature, "is one long day's hard work."
The customer's face falls;
he handles nervously his heavy purse.
"Cannot I pay for it in
money?" he asks. "I don't like work, but I am a rich man. I can
afford to keep French cooks, to purchase old wines."
Nature shakes her head.
"I cannot take your
cheques; tissue and nerve are my charges. For these I can give you an
appetite
that will make a rump steak and a tankard of ale more delicious to you
than any
dinner that the greatest chef in Europe
could put before you. I can even promise you that a hunk of
bread and cheese shall be a banquet to you; but you must pay my
price in my money; I do not deal in yours."
And next the Dilettante
enters, demanding a taste for Art and Literature, and this
also Nature is
quite prepared to supply.
"I can give you true
delight in all these things," she answers. "Music shall be as wings
to you, lifting you above the turmoil of the world. Through Art you
shall catch
a glimpse of Truth. Along the pleasant paths of Literature you shall
walk as
beside still waters."
"And your charge?"
cries the delighted customer.
"These things are
somewhat expensive," replies Nature. "I want from you a life lived
simply, free from all desire of worldly success, a life from which
passion has
been lived out; a life to which appetite has been subdued."
"But you mistake, my
dear lady," replies the Dilettante; "I have many friends,
possessed
of taste, and they are men who do not pay this price for it. Their
houses are
full of beautiful pictures; they rave about 'nocturnes' and
'symphonies;' their
shelves are packed with first editions. Yet they are men of luxury and
wealth
and fashion. They trouble much concerning the making of money, and
Society is
their heaven. Cannot I be as one of these?"
"I do not deal in the
tricks of apes," answers Nature, coldly; "the culture of these
friends of yours is a mere pose, a fashion of the hour, their talk mere
parrot
chatter. Yes, you can purchase such culture as this, and pretty
cheaply, but a
passion for skittles would be of more service to you, and bring you
more
genuine enjoyment. My goods are of a different class; I fear we waste
each
other's time."
And next there comes the
boy, asking with a blush for love, and Nature's motherly old heart goes
out to
him, for it is an article she loves to sell, and she loves those who
come to
purchase it of her. So she leans across the counter, smiling, and tells
him
that she has the very thing he wants, and he, trembling with
excitement,
likewise asks the figure.
"It costs a good
deal," explains Nature, but in no discouraging tone; "it is the most
expensive thing in all my shop."
"I am rich,"
replies the lad. "My father worked hard and saved, and he has left me
all
his wealth. I have stocks and shares and lands and factories, and will
pay any
price in reason for this thing."
But Nature, looking graver,
lays her hand upon his arm.
"Put by your purse,
boy," she says; "my price is not a price in reason, nor is gold the
metal that I deal in. There are many shops in various streets where
your bank-notes
will be accepted. But if you will take an old woman's advice, you will
not go
to them. The thing they will sell you will bring sorrow and do evil to
you. It
is cheap enough, but, like all things cheap, it is not worth the
buying. No man
purchases it, only the fool."
"And what is the cost
of the thing you sell, then?" asks the lad.
"Self-forgetfulness,
tenderness,
strength," answers the old Dame; "the love of all things that are of
good repute, the hate of all things evil: courage, sympathy,
selfrespect, –
these things purchase love. Put by your purse, lad, it will serve you
in other
ways; but it will not buy for you the goods upon my shelves."
"Then am I no better
off than the poor man?" demands the lad.
"I know not wealth or
poverty as you understand it," answers Nature, " Here I exchange
realities only for realities. You ask for my treasures; I ask for your
brain
and heart in exchange, – yours, boy, not your father's, not
another's."
"And this price,"
he argues, "how shall I obtain it?"
"Go about the
world," replies the great Lady. "Labour, suffer, help. Come back to
me when you have earned your wages, and according to how much you bring
me so
we will do business."
Is real wealth so unevenly
distributed as we think? Is not Fate the true Socialist? Who is the
rich man,
who the poor? Do we know? Does even the man himself know? Are we not
striving
for the shadow, missing the substance? Take life at its highest; which
was the
happier man, rich Solomon or poor Socrates? Solomon seems to have had
most
things that most men most desire – maybe too much of some for
his own comfort.
Socrates had little beyond what he carried about with him, but that was
a good
deal. According to our scales, Solomon should have been one of the
happiest men
that ever lived, Socrates one of the most wretched. But was it so?
Or taking life at its
lowest, with pleasure its only goal, is my lord Tom Noddy, in the
stalls, so
very much jollier than 'Arry in the gallery? Were beer ten shillings
the
bottle, and champagne fourpence a quart, which, think you, we should
clamour
for?
If every West End Club had
its skittle alley, and billiards could only be played in East End pubs,
which
game, my lord, would you select? Is the air of Berkeley Square so much
more joy-giving
than the atmosphere of Seven Dials? I find myself a piquancy in the air
of
Seven Dials, missing from Berkeley Square. Is there so vast a
difference
between horse-hair and straw, when you are tired? Is happiness
multiplied by
the number of rooms in one's house? Are Lady Ermintrude's lips so very
much
sweeter than Sally's of the Alley? What is
success in life?