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CHAPTER I THE GREAT GODS: THOR AND ODIN In
common with the other Aryan races, the ancient Scandinavians recognised, as the
basis of their religion, certain supernatural, usually unseen, powers ruling
the world and exercising an influence on the affairs of mankind. In the ideas
which prevailed as to the nature of these powers certain correspondences can be
clearly traced in the various Aryan religions, in spite of the fact that our
knowledge of them dates from widely different periods of history. Even the
Romans, when they came into contact with the Germanic races, noticed some of
the similarities, and applied the names of several of their own deities to the
corresponding figures among the barbarian gods. When closer intercourse between
Roman and German had established itself, the result of these equations was made
prominent in the names adopted by the latter for the days of the week, several
of which, in most of the Germanic tongues, still bear witness to the old
religion of the race. Thus the counterpart of the Roman Mars was found
in the god Tiw, and consequently dies Martis was rendered by
forms now represented in English by Tuesday. In the same way the Roman Mercurius,
Jupiter, and Venus were identified with the Germanic gods called
by the English Wóden, Thunor, and Fríg, whence the names
of Wednesday, Thursday, and Friday. In making these
equations, of course, neither German nor Roman did more than consider the most
obvious points of resemblance between the deities; how close the correspondence
actually was in each case it is impossible to say, as we know so little of the
precise form which the native religion had among the southern Germans. It is
only to a certain extent that the details suggested by these translations of
the Roman names are supported by the evidence from the Scandinavian side, but
it is extremely probable that some of the more striking discrepancies are due
to difference in time as well as in place and people. The
three gods and the goddess whose names are thus commemorated in the days of the
week hold also a prominent place among the Scandinavian deities, where they
appear under the names of Ty (Týr), Odin (Óđinn), Thor (ţórr),
and Frigg. But while Odin and Thor actually hold the place which they might be
expected to occupy as objects of worship, the warlike deity Ty has apparently
become of secondary importance. This is indicated not only by the native
Scandinavian evidence, but also by what can be gleaned from external sources.
In an Old English sermon1 by the Abbot
Ćlfric, about the year 1000, the mention of some of the Roman deities leads the
preacher to introduce the corresponding Danish names. Jove or Jupiter, he says,
'was called Thor among some peoples, and him the Danes love most of all.'
Mercury, too, 'was honoured among all the heathens, and he is otherwise called
Othon in Danish.' Of Ty there is no mention, although Mars is one of the Roman
deities specified by name. In another homily by Ćlfric there is the same
identification of Thor and Odin, along with 'the foul goddess Venus, whom men
call Frigg,' but here also Ty is ignored. More
than merely negative evidence, however, is supplied by another outside source,
which is the leading contemporary account of Scandinavian religion, viz. that
given by the German historian, Adam of Bremen (about the year 1075), in his
description of the great temple of the Swedes at Upsala, and of the gods
worshipped there. Here he writes, 'the people venerate the statues of three
gods, so placed that the most powerful of them, Thor, has his seat in the
middle of the bench. On either side of him Wodan and Fricco have their places.
Of these the significations are as follows. Thor, they say, presides in the
air, and governs thunder and lightning, winds and rains, fair weather and crops.
The next, Wodan, that is "Fury," carries on wars and gives men valour
against their enemies. The third is Fricco, bestowing peace and pleasure upon
mortals.' The image of Wodan, he adds, resembled that of the Roman Mars; that
of Thor suggested Jupiter, while Fricco was represented in a form resembling
the minor deity Priapus. The
god here called Fricco was known to the Scandinavians themselves by the name of
Frey (Freyr), and that the triad thus specified by Adam were in fact the
chief deities worshipped in the later stages of Scandinavian religion is
abundantly proved by the native evidence. The identification of Odin with Mars
in place of Mercury is also in full accordance with the later beliefs: in other
words, Odin has taken the place of Ty as the chief war-god. Whether this was
the main reason for the admission of Frey as third member of the supreme triad
is uncertain, the earlier position of this god being altogether unknown. Thor,
it will be noticed, still retains his place as the counterpart of the Roman
Jupiter, and stands between the other two gods, as being the most powerful. The
precise relationship, however, between Thor and Odin is not by any means so
simple as this statement would suggest, and forms indeed one of the most
difficult questions connected with the subject. This will be most clearly
brought out by a detailed account of the relative place assigned to each of
them in religious practice on the one hand, and in mythological accounts on the
other; and the most correct impression of the facts will probably be obtained
by dealing first with Thor. The
pre-eminence assigned to this god by Ćlfric and Adam of Bremen is quite in
accordance with what can fairly be inferred from the native historical sources.
A considerable number of passages in the sagas yield combined proof that by the
people at large Thor was regarded as the chief deity, at least in Norway and
Iceland: for Sweden and Denmark the evidence is less conclusive, but seems to
point in the same direction. It is of great significance, for example, that in
all the Scandinavian countries the name of Thor is the one which is most
frequently used as a formative element in the names of persons (such as
Thor-kell, Stein-thor), and these were evidently quite as common in Sweden and
Denmark as in Norway and Iceland. On the other hand, the name of Odin is
scarcely ever employed, only one or two instances being found among the Danes
and Swedes. Names with Frey- as their first element are more frequent, but are
in small proportion compared with those in Thor-. In Danish and Swedish
place-names, too, the predominance of Thor is very marked, although Odin and
Frey are better represented here than in the case of the personal names. In
Norway and Iceland place-names of this kind are rare, but Thorsness and
Thorsmark occur in the latter country. The frequency with which Thor's hammer
(see below) is represented on Danish and Swedish runic monuments, and the
occurrence on ancient Danish stones of the formula 'May Thor hallow this
monument' (or 'these runes'), also indicate that the position of this deity was
much the same among all branches of the Scandinavian people. In Denmark, too,
there are distinct traces of a tendency to hold local assemblies on the day
named after the god; in Iceland this was the day on which the famous Al-thing
(the legal and legislative assembly of the whole people) began every year, ten
weeks after the first day of summer, and in Norway the great law-assembly of
the western districts also began its meetings on a Thursday. For Norway
and Iceland there is a considerable amount of more direct evidence than this.
In several of the Icelandic historical writings it is expressly stated that
some of the leading colonists had a special regard for Thor and his worship. Of
one who came from the island of Mostr, on the south-western coast of Norway, it
is told that he had the custody of Thor's temple there, and was a 'great
friend' of the god, on which account he was called Thorolf (=Thor-wolf).
This Thorolf fell out with King Harald, and went to inquire of Thor, 'his
loving friend,' whether he should make terms with the king or leave the
country. The oracle directed him to go to Iceland. He pulled down the temple,
and took with him most of the timber, as well as the earth from under the pedestal
on which Thor had been seated. On coming near Iceland, he threw overboard the
two chief pillars of the temple, on one of which the image of Thor was carved,
and declared he would settle wherever Thor made these come ashore. After
landing on the south side of Broadfirth, they found that Thor had come ashore
with the pillars on a headland, to which they then gave the name of
Thor's-ness, while a river in the neighbourhood was also named after the god.
When this Thorolf had a son in his old age, he gave him to his friend Thor, and
called him Thorstein. Thorstein also gave his own son to Thor, 'and said he
should be a temple-priest, and called him Thorgrim.' Another son of Thorolf's
sacrificed to Thor, that he might send him pillars for his house, 'and gave his
son for this,' which probably means that he also dedicated his son to the god,
though one account appears to imply that he actually offered him in sacrifice. Of
another settler, Helgi the Lean, who was brought up in Ireland, it is stated
that when he came in sight of Iceland, he inquired of Thor where he should
land; the oracle directed him to Eyafirth, and would allow him to go nowhere
else. Before they came in sight of the firth, Helgi's son asked him whether he
would have obeyed Thor's directions if he had sent him to winter in the Arctic
Ocean. Yet Helgi was not absolutely devoted to Thor, as he also believed in
Christ, and even called his Icelandic homestead by the name of Christness. It
was to Thor, however, that he turned for aid in sea-faring and difficult
enterprises, and in all matters that he considered to be of most importance. Thorolf
and Helgi were not the only settlers who allowed Thor to fix the place of their
habitation in Iceland, and one in the south of the island also consecrated all
his land to Thor and called it Thor's-mark. The tendency to appeal to Thor for
help in time of need is further illustrated by an incident recorded as having
taken place during the Wineland expedition of 1007-8. The explorers were in
great straits for want of food, and had prayed for help, which seemed long in
coming. One of the party, named Thorhall, was found by the others on the peak
of a cliff, looking up to the sky, and muttering something, besides making
strange gestures of which he would give no explanation. Shortly afterwards a
whale came ashore, and Thorhall said, 'The red-bearded one was stronger now
than your Christ. I have got this for my poetry that I made about Thor. He has
seldom failed me.' This
contrasting of Thor with Christ is a trait which appears in other narratives,
and is significant of the place which the god held in the old religion. In the
struggle between heathenism and Christianity in the Scandinavian countries it
is usually Thor, the red-bearded one, who is the champion of the primitive
faith and its most powerful representative. The cases in which Odin takes this
place have a much more legendary character, and are more likely to be due to
later invention. It was Thor whom the believers in the old faith expressly put
forward as a rival to the God of the Christians. In the early part of the
eleventh century, when King Olaf Haraldsson was doing his utmost to
christianise Norway, the following words are represented as having been spoken
by a powerful chief named Gudbrand: 'There is come hither a man named Olaf to
offer us another faith than the one we had, and to break all our gods in
pieces, and he says that he has a greater and mightier god. It is a marvel that
the earth does not open under him when he dares to say such things, and that
our gods let him go any further. I expect, if we carry Thor out of our temple
where he stands, and where he has always stood by us, that as soon as he looks
on Olaf and his men, then his god and himself and his men will melt away
and come to nought.' So also when Thangbrand the priest went to Iceland on his
missionary enterprise in 997, he met a woman who preached heathendom to him at
great length, and asked him, 'Have you not heard that Thor challenged Christ to
single combat, and He dared not fight with Thor?' When Thangbrand's ship was
destroyed by a violent storm, it was to Thor that the credit of the accident
was assigned. The
firm hold which Thor had upon the minds of his worshippers is also illustrated
by the way in which some of the converts to Christianity felt uneasy at
abandoning him. Thorgils of Flói, in the south-west of Iceland, was one of the
first to accept the new faith, and more than once he dreamed that Thor came to
him with reproaches and threats for this desertion. Thorgils was firm, and
defied the angry god, but his later perils at sea were believed by his
companions to be the work of Thor, and some of them even wished to sacrifice to
him for a fair wind, saying that people had fared much better when they made
offerings to him. The
prominent place held by the worship of Thor in the old religion is also
indicated by the frequent mention of images of the god in various temples (as
will appear in a later chapter); this fact acquires special significance when
contrasted with the lack of similar statements regarding Odin. It is also
extremely probable that it was Thor, and not Odin, to whom the vague names of
'Land-god' (Land-áss) and 'The Almighty God' were given; the latter was
used, coupled with the names of Frey and Njörd, in an old oath-formula. Having
thus made the position of Thor among the Scandinavian gods as clear as the
evidence admits of, it remains to show what manner of god his worshippers
supposed him to be. On this point there is unfortunately less direct evidence
than could be wished. In origin Thor was the thunder-god, and it is therefore
natural to find him spoken of as 'the strongest of all the gods.' His weapon,
the thunderbolt, was imagined as a hammer, mythologically known by the name of Mjölnir,
and was especially used by him to protect the gods and men against giants and
other evil monsters. To grasp it with he had iron gloves, and he was also
possessed of a girdle of might which increased his strength twofold. In his
journeys, of which the mythological writers have a good deal to say, he
sometimes rode in a chariot drawn by two goats. Of these details there is very
little trace in historical sources, although one passage (of doubtful value)
speaks of an image of Thor seated in his chariot. The hammer, however, was
certainly the distinctive symbol of the god, and representations of it were
evidently in common use as sacred and protective marks. Not only is it
frequently cut on stone monuments, but small figures of it were apparently used
as amulets, of which a number have been found in Denmark and Sweden. When the
Danish prince Magnus returned from an expedition into the heathen districts of
Sweden in 1123, he brought back with him as trophies some Thor's hammers of
metal. It is not clear how far such models of the hammer were used in religious
ceremonies; that it was employed at weddings 'to hallow the bride' appears to
be highly probable, but there is no direct historical evidence to prove it. The
form in which the hammer was commonly represented easily led to its association
with the Christian mark of the cross. At a festival held in Norway in 952, Earl
Sigurd dedicated the first toast to Odin, and after drinking from the horn
handed it to King Hákon, who was a Christian. When the king took it, he made
the mark of the cross over it. The heathens present protested against this, and
Earl Sigurd attempted to satisfy them by saying, 'The king does like all those
who trust to their own might and strength, and consecrate their toast to Thor.
He made the mark of the hammer over it before he drank.' The
relationship of Thor to Odin, and the precise position of the latter among the
Scandinavian gods, must now be more closely considered. In the sermon by Ćlfric
already cited there is an interesting remark bearing on this, in these words:
'Now the Danes in their delusion say that Jove, whom they call Thor, was the
son of Mercury, whom they call Odin, but they are not right in this' (i.e.
according to Roman mythology)2 Ćlfric's
statement is in perfect accordance with the old Scandinavian myths, which
represent Thor as the son of Odin and Earth, a relationship also attested by
various poetical designations of the god. This is not at all what the
historical evidence would lead us to expect, but the mythological account of
Odin presents a still more striking contrast to what has been brought forward
above as to the position of Thor. 'Odin,' says Snorri, 'is the highest and
eldest of the gods; he rules over all things, and for as mighty as the other
gods are, they all serve him as children do their father.... Odin is called
All-father, because he is the father of all the gods.' It is
indeed quite clear that the whole mythological system expounded by Snorri, and
implied in all the old Scandinavian poetry, centres on the idea of Odin as the
supreme god. As such he has two important sides to his nature. On the one hand
he is a war-god, who assigns victory or defeat to men, and who takes the slain
warriors to live with himself in Valhall; 'he is also called Val-father, because
all those who fall in battle are his chosen sons: to them he gives places in
Valhall and Vingolf,' says Snorri. On the other hand he is a god of wisdom and
cunning, knowing all things, and a god of poetry whom the skalds regard as the
author of their art. So far as the historical evidence is strong enough to
prove anything regarding Odin, it indicates that a belief in both of those
aspects was really a part of the old religion. We have already seen that Adam
of Bremen describes Odin as the war-god among the Swedes, and Snorri also says
that the Swedes thought he often appeared to them before great battles; 'to
some he gave victory, and some he invited to himself, and either lot was
thought good.' This association of Odin with war, and the assignation to him of
all those who were slain in battle, are very prominent in the mythical sagas,
which may be accepted as representing a genuine tradition in this respect,
however much the details may be due to later invention. In these sagas one also
finds the connection of Odin with death by hanging, which appears in some of
his poetic names, and must be regarded as a real belief. The
purely historical evidence is, however, very limited. Perhaps the only mention
of an actual offering to Odin is that found in the account of Earl Hákon's
doings after he had, under compulsion, accepted Christianity in Denmark in 975.
On leaving that country, he sailed round to the east coast of Sweden, landed
there, and made a great sacrifice. 'Then two ravens came flying and croaked
loudly, and the earl thought it certain that Odin had accepted the sacrifice,
and that he would have success in fighting.' It is very probable, however, that
sacrifices to this god were more common among the Danes and Swedes than among
the Norwegians, and that this may account for the lack of reference to them in
the Icelandic writings. That
the belief in Valhall was a real one is clearly shown by one or two passages in
the sagas. King Hákon the Good had been a Christian, though latterly he had not
made his religion prominent, in order to avoid offending his heathen subjects.
When he was killed in battle in 961, he was laid in the grave-mound with all
his weapons and best array. 'They made such speeches at his burying as it was
the custom of heathen men to make, and sent him off on the way to Valhall.' A
poem on Hákon's death and his reception by Odin in Valhall, which was composed
at the time by one of his skalds, gives a very fine expression to the belief,
which is also the leading theme in an earlier poem on the death of King Eirík
in 954. Even some who had not been killed in battle were apparently thought of
as going to Odin in Valhall, if the passage in the saga of Gísli may be relied
upon, in which Thorgrím is represented as saying, 'It is the custom to tie
hell-shoes on men when they shall go to Valhall, and I will do that with
Véstein' (who had been murdered in his bed). There is also a reference to the
belief in Njál's saga, in the words of Högni, 'I intend to take the halbert to
my father' (Gunnarr, who had been killed shortly before this), 'and let him
have it to Valhall and bear it there at the weapon-thing.' The same saga also
represents Earl Hákon in Norway, when he found his temple burned down, as
saying, 'The man who has done this will be driven away from Valhall, and never
get entrance there.' It is doubtful, however, whether much weight can be given
to these passages. The old practice of beginning a battle by throwing a spear
over the enemy is in some of the mythical sagas explained as a dedication of
them to Odin, and it is possible that this idea may be correct. It is
remarkable that in the Icelandic sources there is no clear evidence for a
general worship of Odin in Norway or Iceland. In his account of the old
festivals Snorri states that the first toast which went round was consecrated
to Odin, and was drunk 'for victory and for power to their king.' And he also
says that at the festival at Hladir in 952 Earl Sigurd 'consecrated the first
toast to Odin.' The accuracy of Snorri's account has been questioned, but even
if it is correct, it does not definitely establish Odin's position in popular
belief. Among the Icelanders themselves there is nothing like the same evidence
to show that Odin was generally held in esteem and veneration as there is in
the case of Thor; and it is noticeable that in the few cases where a belief in,
and reliance on, Odin are expressed, the speaker is usually a poet. Thus Egil
Skallagrímsson, when he had suffered at the hands of King Eirík (about 934),
expresses in a verse his wish that 'the gods and Odin' may be angry with the
king: in the second half of the verse Frey and Njörd are also mentioned by
name. The poet Hallfred, who accepted Christianity in Norway in 996, makes
several references in his verses to his former worship of Odin, but in words
which clearly indicate that his capacity of skald had much to do with this.
When he was afterwards accused of being still a heathen, it was the possession
of 'an image of Thor' which formed one of the charges against him. It is,
however, stated that previous to their becoming Christians Hallfred and his
companions made a vow 'to give much money to Frey if they reached Sweden, or to
Thor and Odin if they got to Iceland.' Kjartan Olafsson is also made to speak
of Thor and Odin together, and Odin (along with Freyja) is specified in the
abusive verse by Hjalti Skeggjason (999), which led to his prosecution for
blasphemy against the gods. On the other hand there is no mention in any saga
of any temple, image, or special priest of Odin in any part of Iceland. That
the attribution of the art of poetry to Odin, and his consequent position as
the special god of poets, was no mere conventional figment of the skalds is
best attested by Egil's poem on the loss of his sons. Towards the end of this
the poet expresses his resentment against 'the lord of the spear,' in whom he
had confidently trusted before he sent this loss upon him, and so destroyed the
friendship between them. Now he has no pleasure in worshipping Odin, 'yet,' he
adds, 'Mimir's friend has given me recompense for my woes: he gave me an art'
(that of poetry) 'free from fault and stain.' As
the above will show, there is a real difficulty in reconciling the historical
statements as to the worship of Odin and Thor with the relative positions
assigned to them in the old mythology. The explanation which seems to clear
away this difficulty in the most satisfactory manner is the suggestion that
Thor and Odin really belong to different stages in the development of
Scandinavian religion. On this view Thor was originally the chief god, and to a
certain extent continued to hold this position to the end. His supremacy,
however, was in the later period of heathenism seriously threatened by the
growing cult of Odin, which was at first foreign to the Scandinavian peoples,
and was received by them from the South Germanic races. This would easily
account for the seemingly greater popularity of Odin among the Danes and Swedes
than among the Norwegians and Icelanders, to whom the new cult would be later
in spreading. In this connection it may be noted that some of the poetic names
for Odin, such as 'the friend of the Gauts,' 'Tyr of the Gauts' (as well as the
simple Gauti and Gautr), appear to indicate that his worship was
associated with the people of that name in southern Sweden. It was in Gautland
that the poet Hallfred was nearly sacrificed to Odin in 997, and here also in
1018 the poet Sigvat was refused admission to a farm where a sacrifice was
taking place, because they 'were afraid of Odin's anger.' It may even be
significant that Earl Hákon's sacrifice already mentioned was performed on the
coast of Gautland. The ninth and tenth centuries were a period of new development and great changes within the Scandinavian countries. The Viking expeditions brought a large part of the population into direct contact with war and battle, while the former petty kings disappeared, or lost most of their importance, before strong rulers like Gorm in Denmark or Harald in Norway. In the courts of these new sovereigns there was a life and splendour previously unknown in the north, and under the royal favour the art of poetry flourished to a remarkable extent. It appears fairly certain that in these surroundings the cult of Odin found most favour, and that the conceptions of the god which meet us in the mythology were developed among men who found a pleasure both in fighting and in poetry, and who modelled their ideas of the warlike deity on the monarch to whose court they attached themselves. Odin was thus the god of the warrior, the poet, and the friend of kings, while Thor retained his former place in the hearts of those who still followed the old way of life in the secluded valleys of Norway or Iceland. Something of this distinctly appears in the figures of the two gods as they are presented in the old poems and legends. Odin bears all the stamp of the new life and culture about him; Thor is rather a sturdy yeoman of the old unpolished type. Odin is a ruler in whom knowledge and power are equally combined; Thor has little more to rely upon than his bodily strength. Even in small matters the contrast is marked: Odin lives by wine alone, while Thor eats the flesh of his goats and drinks the homely ale. Odin's weapon is the spear; Thor's is the more primitive hammer. It is to Odin that all the warriors go after death; Thor gets only the thralls. In some of the poems there is an obvious tendency to assign to Thor an undignified and even ludicrous part, which is strongly at variance with the veneration in which he was actually held, as we have seen above. It would, perhaps, be unsafe to attach very much importance to this, as it, is quite uncertain how far these poems can be accepted as evidence for religious beliefs. It is perhaps more significant that while writers like Snorri tell how Odin and various other gods (such as Njörd and Frey) came from the south-east into Denmark and Sweden, there is no similar account as regards Thor. In the historical period, too, there were distinguished families in Sweden and Norway whose genealogy was traced back to Odin and Frey, while no one claimed descent from Thor. Both of these facts may reasonably be regarded as supporting the view that Odin belongs to a later period in the history of Scandinavia than Thor, and some such explanation appears to be requisite to account for the striking differences in the traditional statements regarding the two chief gods of the old religion. ________________________________
1 Based upon the Latin discourse De correctione rusticorum, by Martin of Bracara, who died in 580. 2 This discrepancy between the Roman and Scandinavian myths is also noticed by Saxo Grammaticus. |